KARLHEINZ STOCKHAUSEN
Stockhausen CD's

Complete List of Works

Stockhausen Complete Edition on CD

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works.
Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

  • The compact discs may be obtained from the Stockhausen-Verlag: Kettenberg 15, 51515 Kuerten, Germany (www.stockhausenCDs.com).

Karlheinz Stockhausen
Complete List of Works

All works which were composed until 1969 (work numbers 1/11 to 29) are published by Universal Edition in Vienna, with the exception of ETUDE, Electronic STUDIES I and II, GESANG DER JÜNGLINGE, KONTAKTE, MOMENTE, and HYMNEN, which are published since 1993 by the Stockhausen-Verlag, and the renewed compositions 3x REFRAIN 2000, MIXTURE 2003, STOP and START.
    Starting with work number 30, all compositions are published by the Stockhausen-Verlag, Kettenberg 15, 51515 Kürten, Germany, and may be ordered directly (Kettenberg 15, 51515 Kürten, Deutschland; Fax: + 49 [0]2268-1813; www.stockhausen-verlag. com / stockhausen-stiftung@t-online.de).

1 = numeration of the individually performable works.

    = orchestra works with at least 19 players (or fewer when the instrumentation is unconventional), and works for orchestra with choir.

1= chamber music works. Among these are several which have more than 18 players, but are usually not performed by orchestras, but rather by chamber ensembles such as the London Sinfonietta, the Ensemble Intercontemporain, the Asko Ensemble, or Ensemble Modern.

35 = Works, which may also be performed as "chamber music" (for example INORI with 2 dancermimes and tape [instead of orchestra] or works for choir in which the choir may be played back on tape.

Interview

1. ex 47 = 1st derivative of Work No. 47.
  [9'21"] = duration of 9 minutes and 21 seconds (durations with minutes and seconds: CD durations of the Complete Edition).
      U.E. = Universal Edition.
          St. = Stockhausen-Verlag.

For most of the works, an electro-acoustic installation is indicated. Detailed information about the required equipment may be found in the scores.

In very small halls (for less than 100 people), it is possible to omit amplification for some solo works and works for small ensembles. However, it must be taken into account that since 1970 Stockhausen also amplifies his PIANO PIECES, for example, in concerts (using 2 microphones) to make the timbre nuances audible from all seats in the auditorium, if at all possible.

In the scores of numerous works, exact instructions for the set-up of the instruments, the gestures and movements of the interpreters, for the lighting, props, costumes and podia are given. These are not mentioned in the following list.

Special microphones and receivers (not listed) belong to the transmitters indicated.

Abbreviations
                   cond. = conductor; only the works with this indication are conducted.
                     micr. = microphone(s).
                loudsp. = loudspeakers.
         sound proj. = sound projectionist, who also controls the lighting from the
mixing console in the hall (see scores).
              tape rec. = tape recorder.
      synth. player = synthesizer player.

1     1950 No.1/11 CHÖRE FÜR DORIS (CHORUSES FOR DORIS)
for a cappella choir (cond.)		 [9'21"] U.E.
2 1 1 1950 1950 No.1/10 DREI LIEDER (THREE SONGS)
for alto voice and chamber orchestra (cond.)
(fl. / 2 cl. / bsn. / tp. / trb. / 2 perc. / piano / elec. harpsichord / strings)		 [19'26"] U.E.
3     1950 No.1/9 CHORAL (CHORALE)
for a cappella choir (cond.)		 [4'05"] U.E.
4   2 1951 No.1/8 SONATINE (SONATINA)
for violin and piano		 [10'32"] U.E.
5   3 1951 No.1/7 KREUZSPIEL (CROSS-PLAY)
for oboe, bass clarinet, piano, 3 percussionists (cond.) (4 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [11'29"] U.E..
6 2 4 1951 No.1/6 FORMEL (FORMULA)
for orchestra (28 players / cond.) (3 ob. / 3 cl. / 3 bsn. / 3 hn. / 6 vl. / 3 vc. / 3 db. / vibr. / celesta / piano / harp)		 [12'57"] U.E.
7     1952 No.1/5 ETUDE
Concrete Music
(2-track tape rec., 2 x 2 loudsp., mixing console / sound proj.)		 [3'15"] St.
8 3   1952 No.1/4 SPIEL (PLAY)
for orchestra (cond.)		 [16'01"] U.E.
9   5 1952 No.1/3 SCHLAGTRIO (PERCUSSIVE TRIO)
for piano and 2 x 3 timpani
(2 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [15'15"] U.E.
10 4   1952/1962 No.1/2 PUNKTE (POINTS)
for orchestra (with corrections until 1993) (cond.)
(2 x 2 micr. for 2 harps, 2 x 2 micr. for 2 pianos,
4 micr. for doubles basses, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 27' ] U.E.
11   6 1952
to 53		 No. 1 KONTRA-PUNKTE (COUNTER-POINTS)
for 10 instruments (cond.)
(fl. / cl. / bass cl. / bsn. / tp. / trb. / piano / harp / vl. / vc.)		 [14'13"] U.E.
12–15   7 1952 No. 2 KLAVIERSTÜCKE I–IV (PIANO PIECES I–IV) [ca. 8'] U.E.
16     1953 No. 3/I STUDIE I (STUDY I)
Electronic Music
(2-track tape rec., 2 x 2 loudsp., mixing console / sound proj.)		 [9'42"] St.
17     1954 No. 3/II STUDIE II (STUDY II)
Electronic Music
(2-track tape rec., 2 x 2 loudsp., mixing console / sound proj.)		 [3'20"] St.
18–23   8 1954
to 55		 No. 4 KLAVIERSTÜCKE V–X (PIANO PIECES V–X)
(IX and X were finished in 1961)		 [ca. 73'] U.E.
24   9 1955
to 56		 No. 5 ZEITMASZE (TIME-MEASURES)
for 5 wood-winds (cond.)
(fl. / ob. / Engl. hn. / cl. / bsn.)		 [14'47"] U.E.
25 5   1955
to 57		 No. 6 GRUPPEN (GROUPS)
for 3 orchestras (3 cond.)
(microphone amplification: piano, guitar / sound proj.)		 [24'25"] U.E.
26   10 1956 No. 7 KLAVIERSTÜCK XI (PIANO PIECE XI) [ca. 14'] U.E.
27     1955
to 56		 No. 8 GESANG DER JÜNGLINGE (SONG OF THE YOUTHS)
Electronic Music
(4-track tape rec., 4 x 2 loudsp., mixing console / sound proj.)		 [13'14"] St.
28   11 1959 No. 9; ZYKLUS (CYCLE) for a percussionist
(4 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 12' or ca. 15'] U.E.
29 6   1959
to 60		 No. 10 CARRÉ
for 4 orchestras and 4 choirs (4 cond.)
(16 micr. for choirs, 4 micr. for cymbalum, harp, harpsichord,
4 x 2 loudsp., mixing console / sound proj.)		 [ca. 36'] U.E.
30   12 1959 No. 11 REFRAIN
for 3 players (piano / vibr. / celesta or synth.)
(8 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [circa 12' ]U.E.
31   13 2000 No.11½ 3x REFRAIN 2000
for piano with 3 wood blocks,
sampler-celesta with 3 antique cymbals,
vibraphone with 3 cowbells and glockenspiel, sound projectionist
(3 transmitters, 3 micr., 2 sampler outputs, 2 x 2 loudsp.,
mixing console / sound proj.)		 [ca. 61' ] St.
32     1958
to 60		 No. 12 KONTAKTE (CONTACTS)
for electronic sounds
(4-track tape rec., 4 x 2 loudsp., mixing console / sound proj.)		 [35'30"] St.
33   14 1958
to 60		 No.12½ KONTAKTE (CONTACTS)
for electronic sounds, piano and percussion
(4-track tape rec., 12 micr., 4 x 2 loudsp.,
2 monitor loudsp., mixing console / sound proj.)		 [35'30"] St.
34     1961 No.12 2/3 ORIGINALE (ORIGINALS)
Musical Theatre with KONTAKTE		 [ca. 90'] St.
35 7A   1962
to 64
(finished in'69) 		No. 13 MOMENTE (MOMENTS)
for solo soprano, 4 choir groups and 13 instrumentalists (cond.)
(finished in ’69) (4 tp. / 4 trb. / 2 electr. organs or synth. / 3 perc.)
(5 transmitters, 5 loudsp., mixing console / sound proj.)		 [113’] St.

In addition to the original score, which comprises 30 individual Moments and 71 Inserts, a second score entitled MOMENTE - Europe Version 1972 in which all Moments and Inserts are ordered consecutively is published by the Stockhausen-Verlag.

36 7B   1962
to 69		 No. 13
1972.1		 MOMENTE (MOMENTS) Europe Version 1972
for solo soprano, 4 choir groups and 13 instrumentalists (cond.)
(4 tp. / 4 trb. / 2 electr. organs or synth. / 3 perc.)
(5 transmitters, 5 loudsp., mixing console / sound proj.)		 [113'] St.

In addition, 6 individual editions of sections of the Europe Version 1972 of MOMENTE are available in bound, reduced format. They may be performed individually:

37 7C   1962
to 69		 No. 131972.2 ...denn die Liebe ist stärker als der Tod. /
to 69 ...for love is stonger than death.
(Moment I (k))
for solo soprano, 4 choir groups and 13 instrumentalists (cond.)
(4 tp. / 4 trb. / 2 electr. organs or synth. / 3 perc.)
(4 transmitters, 5 loudsp., mixing console / sound proj.)		 [26'50"] St.
38 7D   1962
to 69		 No. 131972.3 des Nachts... / By night...
(Duration-Moments with the Organ-Moment I (d))
for solo soprano, 4 choir groups and 13 instrumentalists (cond.)
(4 tp. / 4 trb. / 2 electr. organs or synth. / 3 perc.)
(5 transmitters, 5 loudsp., mixing console / sound proj.)		 [14'06" + 6'14"] St.
39 7E   1962
to 69		 No. 131972.4 Klangmomente / Sound-Moments
(K-Moments)
for solo soprano, 4 choir groups and 13 instrumentalists (cond.)
(4 tp. / 4 trb. / 2 electr. organs or synth. / 3 perc.)
(4 transmitters, 5 loudsp., mixing console / sound proj.)		 [11'09"] St.
40 7F   1962
to 69		 No. 131972.5 Du, den meine Seele liebet... / You, whom my soul loves...
(Melody-Moments)
for solo soprano, 4 choir groups and 13 instrumentalists (cond.)
(4 tp. / 4 trb. / 2 electr. organs or synth. / 3 perc.)
(5 transmitters, 5 loudsp., mixing console / sound proj.)		 [25'32"] St.
41 7G   1962
to 69		 No. 131972.6 Oh daß du mir gleich einem Bruder wärest... /
O that you were as a brother...
(Moment I (m))
for solo soprano, 4 choir groups and 13 instrumentalists (cond.)
(4 tp. / 4 trb. / 2 electr. organs or synth. / 3 perc.)
(4 transmitters, 5 loudsp., mixing console / sound proj.)		 [7'15"] St.
42 7H   1962
to 69		 No. 131972.7 Betmoment / Prayer-Moment
(Moment I)
for solo soprano, 4 choir groups and 13 instrumentalists (cond.)
(4 tp. / 4 trb. / 2 electr. organs or synth. / 3 perc.)
(5 transmitters, 5 loudsp., mixing console / sound proj.)		 [13'52"] St.
43     1963 No. 14 PLUS-MINUS
2 x 7 pages for realisation		 [duration undefined] U.E.
44   15 1964 No. 15 MIKROPHONIE I (MICROPHONY I) for 6 players
with tam-tam, 2 microphones, 2 filters with potentiometers
(4 x 2 loudsp.)		 [ca. 28'] U.E.
45 8A   1964 No. 16 MIXTUR (MIXTURE)
for orchestra, 4 sine-wave generators and
4 ring modulators (cond.)
(undefined number of microphones; the rest of the
equipment as in Work No. 16½ MIXTURE for small orchestra)		 [ca. 27'] U.E.
46 8B 16 1964/1967 No. 16½ MIXTUR (MIXTURE) for small orchestra (cond.)
(fl. / ob. / cl. / bsn. / tp. / 2 hn. / trb. /
3 perc. / 8 vl. / 4 vla. / 2 vc. / 2 db. /
4 generator players / 4 sound mixers)
(4 sine-wave generators, 4 ring modulators
27 micr., 11 loudsp., mixing console / sound proj.)		 [27'] U.E.
47 8C 17 2003 No. 16 2/3 MIXTUR 2003
for 5 instrumental groups, 4 sine-wave generator players,
4 sound mixers with 4 ring modulators, sound projectionist (cond.)
(instrumentation and sound equipment as in Work No. 16½ )		 [27'] St.
48   18 1965 No. 17 MIKROPHONIE II (MICROPHONY II)
for 12 singers, Hammond organ or synthesizer,
4 ring modulators, tape (cond., timer)
(2-track tape rec., 4 x 3 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 15'] U.E.
49 9A   1965 No. 18 STOP for orchestra (cond.)
(undefined number of microphones;
the rest of the equipment as in STOP "Paris Version")		 [ca. 20'] U.E.
50 9B 19 1969 No. 18½ STOP
"Paris Version" (19 players, cond.)
for example:     I        ob. / piano / synth.;
II       synth. / tp. / vc.;
III       vibra. + tam-tam / bass cl. / elec. cello;
IV       Engl. hn. / synth. / bsn.;
V        cl. / vl. / harp / trb.;
VI        fl. / elec. bsn. / hn.
(19 micr., 2 x 2 loudsp., 5 monitor loudsp., mixing console / sound proj.)		 [20'36"] U.E.
51 9C 20 2001 No. 18 2/3 STOP und START (STOP and START)
for 6 instrumental groups (cond.)
instrumentation:     I        Synthesizer 1 and bass clarinet;
II       Synthesizer 2 and trombone;
III       Synthesizer 3 and basset-horn;
IV       Synthesizer 4 and saxophone;
V       Synthesizer 5 and trumpet;
VI       Synthesizer 6 (or percussion) and flute.
(perhaps 9 micr., 2 x 2 loudsp., 6 monitor loudsp., mixing console / sound proj.)		 [21'30"] St.
52   21 1965/1966 No. 19 SOLO for melody instrument with feedback
(special electro-acoustic apparatus, 4 assistants /
4 x 2 loudsp., mixing console / sound proj.)		 [10½' oder 12¾' oder 15½' oder 17'oder 20'] U.E.
53     1966 No. 20 TELEMUSIK (TELEMUSIC) Electronic Music
(8-track or 2-track tape rec. /
5 x 2 or 4 x 2 loudsp., mixing console / sound proj.)		 [17'30"] score U.E. tape St.
54   22 1966 No. 21 ADIEU for woodwind quintet (cond.) [16'13"] U.E.
55     1966
to 67		 No. 22 HYMNEN (ANTHEMS)
Electronic and Concrete Music
(4-track tape rec., 4 x 2 loudsp., mixing console / sound proj.)		 [114' ] St.
56   23 1966
to 67
(presently withdrawn)		 No. 22½ HYMNEN (ANTHEMS)
Electronic and Concrete Music with 4 soloists
(for example: trumpet and synthesizer / trombone, euphonium
and synthesizer / tam-tam and numerous other instruments /
synthesizer, sampler and piano)
(4-track tape rec., 6 x 2 loudsp., 4 monitor loudsp., equipment as required
by the soloists, mixing console / sound proj.)		 [ca. 126' ] St.
57 10   1969 No. 22 2/3 HYMNEN (Dritte Region) / ANTHEMS (Third Region)
Electronic Music with orchestra (cond.)
(4-track tape rec., 28 micr., 12 loudsp., mixing console / sound proj.)		 [ca. 42' ] St.
58   24 1967 No. 23 PROZESSION (PROCESSION)
for tam-tam, viola, electronium or synthesizer,
piano, microphonist, filterer and level controller (6 players)
(4 micr., 4 x 2 loudsp., mixing console / sound proj.)		 [ca. 37' ] U.E.
59   25 1968 No. 24 STIMMUNG (TUNING) for 6 vocalists
(sound equipment as in STIMMUNG "Paris Version")		 [ca. 70' ] U.E.
60     1968 No. 24½ STIMMUNG (TUNING) "Paris Version"
(6 micr., 6 loudsp., mixing console / sound proj.)		 [ca. 70' ] U.E.
61   26 1968 No. 25 KURZWELLEN (SHORT-WAVES) for 6 players
(piano with short-wave receiver, electronium or synthesizer
with short-wave receiver, tam-tam with short-wave receiver [2 players],
elec. viola with short-wave receiver,
sound projectionist with 2 filters and 4 faders)
(4 short-wave receivers, 5 micr., 4 x 2 loudsp., mixing console / sound proj.)		 [ca. 55' ] U.E.
    27 1968 No. 26 AUS DEN SIEBEN TAGEN (FROM THE SEVEN DAYS)
15 text compositions for intuitive music
(individually performable)		 U.E.
          May be performed only by a special ensemble; all works without conductor; all with electroacoustic equipment. Durations variable. Existent 7 CD edition: circa 7 hours.  
62         1. RICHTIGE DAUERN (RIGHT DURATIONS) for ca. 4 players  
63         2. UNBEGRENZT (UNLIMITED) for ensemble  
64         3. VERBINDUNG (CONNECTION) for ensemble  
65         4. TREFFPUNKT (MEETING POINT) for ensemble  
66         5. NACHTMUSIK (NIGHT MUSIC) for ensemble  
67         6. ABWÄRTS (DOWNWARDS) for ensemble  
68         7. AUFWÄRTS (UPWARDS) for ensemble  
69         8. OBEN UND UNTEN (HIGH AND LOW) theatre piece
for man, woman, child, 4 instrumentalists		  
70         9. INTENSITÄT (INTENSITY) for ensemble  
71         10. SETZ DIE SEGEL ZUR SONNE (SET SAIL FOR THE SUN) for ensemble  
72         11. KOMMUNION (COMMUNION) for ensemble  
73         12. LITANEI (LITANY) for speaker or choir  
74         13. ES (IT) for ensemble  
75         14. GOLDSTAUB (GOLD DUST) for ensemble  
76         15. ANKUNFT (ARRIVAL) for speaker or speech-choir  
77   28 1968 No. 27 SPIRAL
for a soloist with short-wave receiver
(3 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [integral ca. 135', sections 15'–25'] U.E.
78   29 1968/1969 No. 28 Dr. K-SEXTETT
for flute, violoncello, tubular bells and vibraphone,
bass clarinet, viola, piano		 [2'32"] U.E.
79 11   1969 No. 29 FRESCO
for 4 orchestra groups (4 cond.)		 [ca. 5 Stunden] U.E.
          All of the following works are published by the Stockhausen-Verlag.  
80   30 1969
to 70		 No. 30 POLE (POLES)
for 2 players / singers
with 2 short-wave receivers
(2 micr., 2 x 4 loudsp., mixing console / sound proj.)		 [integral at least ca. 65', sections at least ca. 22']
81   31 1969
to 70		 No. 31 EXPO
for 3 players / singers
with 3 short-wave receivers
(3 micr., 3 x 2 loudsp., mixing console / sound proj.)		 [integral at least ca. 35' , sections at least ca. 25']
82   32 1970 No. 32 MANTRA
for 2 pianists with wood blocks and antique cymbales
(2 sine-wave generators, 2 ring modulators,
2-track tape rec., 6 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [65’–72’]
    33 1968
to 70		 No. 33 FÜR KOMMENDE ZEITEN (FOR TIMES TO COME)
70 17 texts for intuitive music
(individually performable)		  
          May be performed only by a special ensemble; all works without conductor; all with electroacoustic equipment. Durations variable.  
83         1. ÜBEREINSTIMMUNG (UNANIMITY) for ensemble  
84         2. VERLÄNGERUNG (ELONGATION)  
85         3. VERKÜRZUNG (SHORTENING)  
86         4. ÜBER DIE GRENZE (ACROSS THE BOUNDARY) for small ensemble  
87         5. KOMMUNIKATION (COMMUNICATION) for small ensemble  
88         6. INTERVALL (INTERVAL) piano duet for 4 hands  
89         7. AUSSERHALB (OUTSIDE) for small ensemble  
90         8. INNERHALB (INSIDE) for small ensemble  
91         9. ANHALT (HALT) for small ensemble  
92         10. SCHWINGUNG (VIBRATION) for ensemble  
93         11. SPEKTREN (SPECTRA) for small ensemble  
94         12. WELLEN (WAVES) for ensemble  
95         13. ZUGVOGEL (BIRD OF PASSAGE) for ensemble  
96         14. VORAHNUNG (PRESENTIMENT) for 4–7 interpreters  
97         15. JAPAN for ensemble  
98         16. WACH (AWAKE) for ensemble  
99         17. CEYLON for small ensemble [22'47"]
100 12 34 1971 No. 34 STERNKLANG (STAR SOUND)
Park Music for 5 groups (21 singers and instrumentalists)
(21 micr., ca. 10 synthesizers, 22 loudsp., 5 mixers / 5 sound proj.)		 [ca. 150']
101 13   1971 No. 35 TRANS
for orchestra (cond.) and tape
(2-track or 8-track tape rec., 19 micr.,
13 loudsp., mixing console / sound proj.)		 [ca. 27']
102   35 1972 No. 36 ALPHABET for Liège
13 Musical Scenes for soloists and duets
(all with electro-acoustic equipment)		 (not yet available)
103   36 1972 No. 36½ AM HIMMEL WANDRE ICH (IN THE SKY I AM WALKING)
American Indian songs for 2 voices
(2 micr., 4 loudsp., mixing console / sound proj.)		 [51'30"]
104 14 37 1972 No. 37 YLEM
for 19 players / singers
(for example 19 instr.: fl. / ob. / Engl. horn. / cl. / bass cl. / bsn. /
hn. / tp. / trb. / vl. / 4 synthesizers / elec. vc. / vc. /
piano / harp / vibr.)
(6 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 26']
105 15   1973
to 74		 No. 38 INORI
Adorations for one or two soloists and large orchestra (cond.)
(To date, the soloists were dancer-mimes)
(12 micr., 4 x 2 loudsp., mixing console / sound proj.)
or (notated in the same score):		 [ca. 70']
          INORI
Adorations for one or two soloists and small orchestra (cond.)
(33 instr.: 2 fl. / 2 ob. / 2 clar. [2nd also EB clar.] / 2 bsn. [2nd also contra -
bsn. ] / 2 trp. / 2 hn. I / 2 hn. II / 2 trb. [2nd also bass trombone] / 1 tuba /
3 vl. I / 2 vl. II / 2 vla. / 2 vc. / 2 db. / 1 piano / 4 perc.)
(all instruments are amplified by microphones,
4 x 2 loudsp., mixing console / sound proj.)		  
106   38 1973
to 74		 No. 38 INORI may also be performed by one or two (or more)
dancer-mimes and tape
(2 x 2 loudsp., CD player, mixing console / sound proj.)		 [ca. 70']
107   39 1974 No. 38½ VORTRAG ÜBER HU (LECTURE ON HU)
for a singer
Musical Analysis of INORI
(for example in connection with a performance of INORI)
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 83' or shorter]
108 16   1974/1977 No. 39 ATMEN GIBT DAS LEBEN (BREATHING GIVES LIFE)
Choir Opera with orchestra (or tape)
(orchestra with cond.)
(in case tape of orchestra is used: 2-track tape rec.,
2 x 2 loudsp., mixing console / sound proj.)		 [ca. 53']
109   40 1974 No. 40 HERBSTMUSIK (AUTUMN MUSIC)
Musical Theatre for 4 players
(16 micr., 4 x 2 loudsp., mixing console / sound proj.)		 [ca. 50']
110   41 1974 No. 40½ LAUB UND REGEN (LEAVES and RAIN)
final duet of AUTUMN MUSIC for clarinet and viola
(2 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 11']
111   42 1974/1975 No. 41 MUSIK IM BAUCH (MUSIC IN THE BELLY)
for 6 percussionists and music boxes
(ca. 14 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [38']
112   43 1974/1975 No. 41½ TIERKREIS (ZODIAC)
12 Melodies of the Star Signs
for a melody and/or a chordal instrument
1. AQUARIUS
2. PISCES
3. ARIES
4. TAURUS
5. GEMINI
6. CANCER
7. LEO
8. VIRGO
9. LIBRA
10. SCORPIO
11. SAGITTARIUS
12. CAPRICORN		 [ca. 26']
    44 1974/1975 No. 41
2/3-6/7		 TIERKREIS (ZODIAC)
for voice and chordal instrument
individual editions for		 [ je ca. 26']
113         high soprano or high tenor  
114         soprano or tenor  
115         mezzosoprano or alto or low tenor  
116         baritone  
117         bass  
118   45 1974/1977 No. 41 7/8 TIERKREIS (ZODIAC)
for chamber orchestra (poss. cond.) (clarinet, horn, bassoon, strings)		 [ca. 24']
119   46 1974/1981 No. 41 8/9 TIERKREIS (ZODIAC) for clarinet and piano [ca. 24']
120   47 1974/1983 No. 41 9/10 TIERKREIS (ZODIAC) Trio-Version
for clarinet, flute and piccolo, trumpet and piano
(3 transmitters, 3 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 29']
121   48 1974/2003 No.
41 10/11		 TIERKREIS Version 2003
for tenor or soprano and chordal instrument
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 30']
122 17   1974/2004 No.
41 11/12		 FÜNF STERNZEICHEN (FIVE STAR SIGNS)
for orchestra (cond.)
(VIRGO, LIBRA, SCORPIO, SAGITTARIUS, CAPRICORN)		 [ca. 11']
123 18   1974/2007 No.
41 12/13		 FÜNF WEITERE STERNZEICHEN (FIVE MORE STAR SIGNS)
for orchestra (cond.)
(AQUARIUS, PISCES, ARIES, TAURUS, GEMINI)		 [ca. 20']
124   49 1974/2007 1. ex
41 12/13		 TAURUS for bassoon [ca. 4']
125   50 1974/2007 2. ex
41 12/13		 TAURUS-QUINTETT (TAURUS QUINTET)
for tuba, trumpet, bassoon, horn, trombone		 [ca. 4']
126   51 1975 No. 42 HARLEKIN (HARLEQUIN) for clarinet [ca. 45']
127   52 1975 No. 42½ DER KLEINE HARLEKIN (THE LITTLE HARLEQUIN)
for clarinet		 [ca. 9']
128   53 1975
to 77		 No. 43 SIRIUS
Electronic music and trumpet, soprano, bass clarinet, bass
(8-track tape rec., 4 transmitters, 5 micr., 8 loudsp.,
mixing console / sound proj.)
It is possible to perform only the 8-track electronic music:		 [96']
129       1. ex 43 Spring Version [ca. 96']
130       2. ex 43 Summer Version [ca. 96']
131       3. ex 43 Autumn Version [ca. 96']
132       4. ex 43 Winter Version [ca. 96']
          (8-track tape rec., 8 loudsp., mixing console / sound proj.)  
133   54 1977/1980 No. 43½ ARIES for trumpet and electronic music
(8-track tape rec. [poss. 2-track tape rec.] ,
1 transmitter, 8 loudsp. [poss. 2 x 2 loudsp.] , mixing console / sound proj.)		 [15']
134   55 1977 No. 43 2/3 LIBRA for bass clarinet and electronic music
(8-track tape rec. [poss. 2-track tape rec.] ,
1 transmitter, 2 micr., 8 loudsp. [poss. 2 x 2 loudsp.] , mixing console /
sound proj.)		 [33']
135   56 1977 No. 43¾ CAPRICORN for bass and electronic music
(8-track tape rec. [poss. 2-track tape rec.] , 1 transmitter,
8 loudsp. [poss. 2 x 2 loudsp.] , mixing console / sound proj.)		 [28'30"]
136   57 1976 No. 44 AMOUR 5 pieces for clarinet [ca. 26']
137   58 1976/1981 No. 44½ AMOUR
for flute		 [ca. 29']
138   59 1976/1998 No. 44 2/3 VIER STERNE (FOUR STARS) from AMOUR
for violoncello		 [ca. 12']
139   60 1976/2003 No. 44¾ AMOUR
for saxophone		 [ca. 29']
140 19   1977 No. 45 JUBILÄUM (JUBILEE) for orchestra (cond.)
(10 micr., 6 loudsp., mixing console / sound proj.)		 [15']
      1977   IN FREUNDSCHAFT (IN FRIENDSHIP)
individual editions for		 [ca. 15']
141   61   No. 46 clarinet  
142   62   No. 46½ flute  
143   63   No. 46 2/3 oboe  
144   64   No. 46¾ bassoon  
145   65   No. 46 4/5 basset-horn or bass clarinet  
146   66   No. 46 5/6 violin  
147   67   No. 46 6/7 viola  
148   68   No. 46 7/8 violoncello  
149   69   No. 46 7/8 ossia double-bass  
150   70   No. 46 9/10 saxophone  
151   71   No. 46 10/11 trumpet in with fourth-attachment  
152   72   No. 46 11/12 horn  
153   73   No. 46 12/13 trombone  
154   74   No. 46 13/14 tuba  
155   75   No. 46 14/15 recorder  
156     1978   KADENZEN (CADENZAS)
for the Mozart Clarinet Concerto		  
157
158		     1984/1985   KADENZEN (CADENZAS) for the Mozart Flute Concertos in G and D  
159     1984   KADENZ (CADENZA)
for the Leopold Mozart Trumpet Concerto		  
160     1983/1985   KADENZEN (CADENZAS)
for the Haydn Trumpet Concerto		  
      1977 - 2003   LICHT (LIGHT)
The Seven Days of the Week
for solo voices, solo instruments, solo dancers /
choirs, orchestras, ballet and mimes /
electronic and concrete music		 [ca. 29 hours]
161 20A 76 1977/1991 No. 47 JAHRESLAUF (COURSE OF THE YEARS)
(Act 1 of TUESDAY from LIGHT)
for tenor, bass / 4 dancer-mimes /
actor-singer, 3 mimes,
little girl, beautiful woman /
modern orchestra (14 instr.), tape / sound projectionist
or
for tenor, bass / modern orchestra (14 instr.), tape / sound projectionist
(modern orchestra: 3 synth. players / 3 piccolo flutes /
3 soprano saxophones / electr. cembalo or synthesizer / guitar /
3 percussionists)
(7 transmitters, 7 micr., 2-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)		 [ca. 61']
162 20B 77 1977 No. 47½ DER JAHRESLAUF (THE COURSE OF THE YEARS)
for modern orchestra, tape, sound projectionist
(14 instruments and same equipment as No. 47, 3 transmitters)		 [ca. 46']
163   78 1977 1. ex 47 PICCOLO (from COURSE OF THE YEARS)
solo for piccolo flute		 [ca. 3']
164   79 1977 1. ex 47
ossia		 PICCOLO (from COURSE OF THE YEARS)
for soprano saxophone and bongo		 [ca. 3']
165   80   2. ex 47 SAXOPHONE (from COURSE OF THE YEARS)
for soprano saxophone and bongo
or as solo for soprano saxophone		 [ca. 6']
166     1978
bis 80		 No. 48–50 DONNERSTAG aus LICHT (THURSDAY from LIGHT)
Opera in three acts, a greeting and a farewell
for 14 musical performers
(3 solo voices, 8 solo instrumentalists,
3 solo dancers),
choir, orchestra and tapes
DONNERSTAGS-GRUSS (THURSDAY GREETING)
Act 1 MICHAELs JUGEND (MICHAEL'S YOUTH)
          KINDHEIT (CHILDHOOD)
          MONDEVA (MOON-EVE)
          EXAMEN (EXAMINATION)
Act 2 MICHAELs REISE UM DIE ERDE
          (MICHAEL'S JOURNEY ROUND THE EARTH)
Act 3 MICHAELs HEIMKEHR (MICHAEL'S HOME-COMING)
          FESTIVAL
          VISION
DONNERSTAGS-ABSCHIED (THURSDAY FAREWELL)		 [ca. 240']
          Individual editions of THURSDAY from LIGHT:  
167 21 81 1978 No. 48 MICHAELs REISE UM DIE ERDE
(MICHAEL'S JOURNEY ROUND THE EARTH)
with trumpet and orchestra (cond.)
(Act 2 of THURSDAY from LIGHT)
(4 transmitters, 37 micr., 6 x 2 loudsp., mixing console / sound proj.)		 [ca. 50']
168   82   1. ex 48 EINGANG und FORMEL (ENTRANCE and FORMULA)
(from MICHAEL'S JOURNEY) for trumpet
(transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 2'30"]
169   83   2. ex 48 HALT (from MICHAEL'S JOURNEY)
for trumpet and double-bass
(2 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 15']
170   84   3. ex 48 KREUZIGUNG (CRUCIFIXION)
(from MICHAEL'S JOURNEY)
for trumpet and basset-horn I / clarinet,
basset-horn II, 2 horns, 2 trombones, tuba,
elec. organ or synthesizer
(4 transmitters, 6 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 18']
171   85   4. ex 48 MISSION und HIMMELFAHRT (MISSION and ASCENSION)
(from MICHAEL'S JOURNEY)
for trumpet and basset-horn
(2 transmitters, 1 micr., 2 x 2 loudsp., mixing console/ sound proj.)		 [ca. 18']
172 22A 86 1978 No. 48½ DONNERSTAGS-GRUSS (MICHAELS-GRUSS)
THURSDAY GREETING (MICHAEL'S GREETING)
for 8 brass instruments, piano, 3 percussionists (cond.)		 [ca. 11']
173 22B 87   1. ex 48½ MICHAELS-RUF (MICHAEL'S CALL)
for variable ensemble (8 parts) (cond.)		 [ca. 2']
174   88   2. ex 48½ MICHAELS-RUF (MICHAEL'S CALL)
Version for 4 trumpets		 [ca. 2']
175   89 1978/1984 No. 48 2/3 Solisten-Version MICHAELs REISE
(Soloists' Version of MICHAEL'S JOURNEY)
for a trumpeter, 9 co-players
(bhn. I, bhn. II with bass clarinet, clar., alto flute, trb. with euph.,
2 synth. players, 2 percussionists)
(6 transmitters, 10 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 48']
176   90 1978
bis 79		 No. 49 MICHAELs JUGEND (MICHAEL'S YOUTH)
(Act 1 of THURSDAY from LIGHT)
for tenor, soprano, bass /
trumpet, basset-horn, trombone, piano /
elec. organ or synthesizer / 3 dancer-mimes /
tapes with choir and instruments
(7 transmitters, 2 micr., 8-track and 2-track tape rec.,
10 loudsp., mixing console / sound proj.)		 [ca. 64']
177     1979 ex 49 UNSICHTBARE CHÖRE (INVISIBLE CHOIRS)
of THURSDAY from LIGHT
for 16-channel recording of a cappella choir and 8- or 2-track playback
(8-track tape rec. [poss. 2-track tape rec.],
8 loudsp. [poss. 2 x 2 loudsp.], mixing console / sound proj.)		 [50']
178   91 1979 No. 49½ KINDHEIT (CHILDHOOD)
(scene of MICHAEL'S YOUTH)
for tenor, soprano, bass /
trumpet, basset-horn, trombone / dancer / tapes
(6 transmitters, 8-track and 2-track tape rec., 10 loudsp.,
mixing console / sound proj.)		 [ca. 29']
179   92 1980 1. ex 49½ TANZE LUZEFA! (DANCE LUCEFA!)
(from MICHAEL'S YOUTH)
for basset-horn or bass clarinet
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [6']
180   93   2. ex 49½ BIJOU (from MICHAEL'S YOUTH)
for alto flute, bass clarinet and tape
(2 transmitters, 2-track tape rec., 2 x 2 loudsp.,
mixing console / sound proj.)		 [15']
181   94 1978/1979 No. 49 2/3 MONDEVA (MOON-EVE)
(scene of MICHAEL’S YOUTH)
for tenor and basset-horn
ad lib.: soprano, bass, trombone, mime / elec. organ or synthesizer / 2 tapes
(2 or 5 transmitters, 8-track tape rec.,
2-track tape rec., 8 or 2 x 2 loudsp., mixing console / sound proj.)		 [13']
182   95 1979 No. 49¾ EXAMEN (EXAMINATION)
(scene of MICHAEL'S YOUTH)
for tenor, trumpet, dancer / piano, basset-horn
ad lib.: "jury" (soprano, bass, 2 dancer-mimes) / 2 tapes
(4 or 6 transmitters, 2 micr., 8-track tape rec.,
2-track tape rec., 8 or 2 x 2 loudsp., mixing console / sound proj.)		 [22']
183   96 1979/1983 ex 49¾ KLAVIERSTÜCK XII (PIANO PIECE XII)
EXAMINATION of THURSDAY from LIGHT
as piano solo
(1 transmitter, 2 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [22']
184 23A   1980 No. 50 MICHAELs HEIMKEHR (MICHAEL'S HOME-COMING)
(Act 3 of THURSDAY from LIGHT)
for tenor, soprano, bass /
trumpet, basset-horn, trombone /
2 soprano saxophones / elec. organ or synthesizer /
3 dancer-mimes / old woman /
choir and orchestra (cond.) / tapes
(9 transmitters, 15 micr., 8-track tape rec.,
2-track tape rec., 10 x 2 loudsp., mixing console / sound proj.)		 [78']
185 23B   1980 No. 50½ FESTIVAL
(scene of MICHAEL'S HOME-COMING)
for tenor, soprano, bass / trumpet, basset-horn, trombone /
2 soprano saxophones / elec. organ (or synth.) /
3 dancer-mimes / old woman / choir and orchestra (cond.) / tapes
(same equipment as No. 50)		 [50']
186   97 1980 1. ex 50½ DRACHENKAMPF (DRAGON FIGHT)
(from MICHAEL'S HOME-COMING)
for trumpet, trombone, elec. organ or synthesizer /
2 dancers (ad lib.) / 1 percussionist (ad lib.)
(2 transmitters, 3 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [13']
187   98 1980 2. ex 50½ KNABENDUETT (BOYS' DUET)
(from MICHAEL'S HOME-COMING)
for 2 soprano saxophones or other instruments		 [4']
188   99 1980 3. ex 50½ ARGUMENT
(from MICHAEL'S HOME-COMING)
for tenor, bass, elec. organ or synthesizer /
ad lib.: trumpet, trombone, 1 percussionist
(2 or 4 transmitters, 3 micr., 4 x 2 loudsp.,
mixing console / sound proj.)		 [11']
189   100 1980 No. 50 2/3 VISION
(scene of MICHAEL'S HOME-COMING)
for tenor, trumpeter, dancer /
Hammond organ or synthesizer / tape /
ad lib.: shadow plays
(2 transmitters, 2-track tape rec.,
2 x 2 loudsp., mixing console / sound proj.)		 [28']
190   101 1980 No. 50¾ DONNERSTAGS-ABSCHIED (MICHAELS-ABSCHIED)
THURSDAY FAREWELL (MICHAEL'S FAREWELL) variable
for 5 trumpets
(or 1 trumpet in 5-track recording)
(poss. 1 tp. live with transmitter, 4-track tape with 4 tp.,
2 x 2 or 4 x 2 loudsp., mixing console / sound proj.)		 [11'–30']
variable
191     1981
to 83		 No. 51–54 SAMSTAG aus LICHT (SATURDAY from LIGHT)
Opera in a greeting and four scenes
for 13 musical performers
(1 solo voice, 10 solo instrumentalists,
2 solo dancers),
symphonic band, ballet or mimes / men's chorus with organ

SAMSTAGS-GRUSS (SATURDAY GREETING)
1st scene LUZIFERs TRAUM ( LUCIFER'S DREAM)
2nd scene KATHINKAs GESANG als LUZIFERs REQUIEM
                  (KATHINKA'S CHANT as LUCIFER'S REQUIEM)
3rd scene LUZIFERs TANZ (LUCIFER'S DANCE)
4th scene LUZIFERs ABSCHIED (LUCIFER'S FAREWELL)		 [ca. 185']
          Einzelausgaben vom SAMSTAG aus LICHT:  
192   102 1981 No. 51 LUZIFERs TRAUM oder KLAVIERSTÜCK XIII
(LUCIFER'S DREAM or PIANO PIECE XIII)
(1st scene of SATURDAY from LIGHT)
for bass and piano
(2 transmitters, 3 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [36']
193   103 1981 No. 51½ KLAVIERSTÜCK XIII (PIANO PIECE XIII)
LUCIFER'S DREAM of SATURDAY from LIGHT
as piano solo
(1 transmitter, 3 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [36']
194   104 1981 No. 51 2/3 TRAUM-FORMEL (DREAM-FORMULA)
for basset-horn
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [9']
195   105 1982
to 83		 No. 52 KATHINKAs GESANG als LUZIFERs REQUIEM
(KATHINKA'S CHANT as LUCIFER'S REQUIEM)
(2nd scene of SATURDAY from LIGHT)
for flute and 6 percussionists
(7 transmitters, 10 loudsp., mixing console / sound proj.)
or as flute solo
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [33']
196   106 1983 No. 52½ KATHINKAs GESANG als LUZIFERs REQUIEM
(KATHINKA'S CHANT as LUCIFER'S REQUIEM)
Version for flute and electronic music
(1 transmitter, 8-track tape rec., 9 loudsp.,
mixing console / sound proj.)		 [33']
197   107   No. 52 2/3 KATHINKAs GESANG als LUZIFERs REQUIEM
(KATHINKA'S CHANT as LUCIFER'S REQUIEM) not yet premièred
Version for flute and multiple piano
(1 transmitter, 2 micr., 8-track tape rec.,
6 x 2 loudsp., mixing console / sound proj.)		 [33']
noch nicht
uraufgeführt
198 24   1983 No. 53 LUZIFERS TANZ (LUCIFER'S DANCE)
(3rd scene of SATURDAY from LIGHT)
for bass (or trombone or euphonium),
piccolo trumpet, piccolo flute /
symphonic band or symphony orchestra
(and stilt-dancers, dancer, ballet or mimes
for staged performances) (cond.)
(3 transmitters, 22 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 50']
199   108   1. ex 53 LINKER AUGENBRAUENTANZ (LEFT-EYEBROW-DANCE)
for flutes and basset-horn(s) /
percussionist / synthesizer player		 not yet
premièred
200   109 1983/2003 2. ex 53 RECHTER AUGENBRAUENTANZ
(RIGHT-EYEBROW-DANCE)
for clarinets, bass clarinet(s) /
percussionist / synthesizer player
(ca. 8 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 35']
201   110 1983/1990 3. ex 53 LINKER AUGENTANZ (LEFT-EYE-DANCE)
for saxophones / percussionist /
synthesizer player		 [ca. 20']
202   111   4. ex 53 RECHTER AUGENTANZ (RIGHT-EYE-DANCE)
for oboes, English horns, bassoons /
percussionist / synthesizer player		 not yet
premièred
203   112   5. ex 53 LINKER BACKENTANZ (LEFT-CHEEK-DANCE)
for trumpets and trombones /
percussionist / synthesizer player		 not yet
premièred
204   113   6. ex 53 RECHTER BACKENTANZ (RIGHT-CHEEK-DANCE)
for trumpets and trombones / percussionist / synthesizer player		 not yet
premièred
205   114   7. ex 53 NASENFLÜGELTANZ (WINGS-OF-THE-NOSE-DANCE)
for percussionist and synthesizer player
or as percussion solo
(5 or more micr., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 7'30"]
206   115 1983 8. ex 53 OBERLIPPENTANZ (PROTEST) /
UPPER-LIP-DANCE (PROTEST)
for piccolo trumpet /
trombone or euphonium / 4 or 8 horns / 2 percussionists
(2 transmitters, 10 micr., 2 x 2 loudsp., mixing console / sound proj.)
or as solo for piccolo trumpet
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [14'30"]
207   116 1983 9. ex 53 ZUNGENSPITZENTANZ (TIP-OF-THE-TONGUE-DANCE)
for piccolo flute / dancer (ad lib.) /
2 euphoniums or synthesizer / percussionist (ad lib.)
(1 transmitter, 5 micr., 2 x 2 loudsp., mixing console / sound proj.)
or as piccolo solo
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 9']
208   117 1983/1989 10. ex 53 KINNTANZ (CHIN-DANCE)
Version for
euphonium, percussionist,
synthesizer player
(1 transmitter, 6 micr., 2 x 2 loudsp., mixing console / sound proj.)
or		 [ca. 10']
          Version for
euphonium, percussionist /
alto trombones, tenor horns (baritones), tubas
(1 transmitter, 6 micr., 2 x 2 loudsp., mixing console / sound proj.)		 not yet
premièred
209 25   1984 No. 53½ SAMSTAGS-GRUSS (LUZIFER-GRUSS)
SATURDAY GREETING (LUCIFER’S GREETING)
for 26 brass instruments and 2 percussionists		 [ca. 8']
210 26   1982 No. 54 LUZIFERs ABSCHIED (LUCIFER'S FAREWELL)
(4th scene of SATURDAY from LIGHT)
for men's chorus, organ,
7 trombones (live or tape) (cond.)
(26 transmitters plus 4 micr. or 30 micr.,
5 x 2 loudsp., mixing console / sound proj.)		 [58']
211     1984
to 88		 No. 55–59 MONTAG aus LICHT (MONDAY from LIGHT)
Opera in three acts, a greet ing and a fare well
for 21 musical performers
(14 solo voices, 6 solo instrumentalists, 1 actor),
choir (tape or live), 21 actresses (only in staged performances),
children’s choir, girls’ choir,
modern orchestra (3 synthesizer players, 1 percussionist, tape) /
conductor, sound projectionist

MONTAGS-GRUSS (MONDAY GREETING)

Act I EVAs ERSTGEBURT (EVE'S FIRST BIRTH-GIVING)
         IN HOFFNUNG (EXPECTING)
         HEINZELMÄNNCHEN
         GEBURTS-ARIEN (BIRTH-ARIAS)
         KNABENGESCHREI (BOYS' HULLABALOO)
         LUZIFERs ZORN (LUCIFER'S FURY)
         DAS GROSSE GEWEINE (THE GREAT WEEPING)

2. Akt EVAs ZWEITGEBURT (EVE'S SECOND BIRTH-GIVING)
           MÄDCHENPROZESSION (GIRLS' PROCESSION)
           BEFRUCHTUNG MIT KLAVIERSTÜCK (CONCEPTION WITH PIANO PIECE)
           WIEDERGEBURT (RE-BIRTH)
           EVAs LIED (EVE'S SONG)

3. Akt EVAs ZAUBER ( EVE'S MAGIC)
           BOTSCHAFT (MESSAGE)
           DER KINDERFÄNGER (THE PIED PIPER)
           ENTFÜHRUNG (ABDUCTION)
           MONTAGS-ABSCHIED (MONDAY FAREWELL)		 [ca. 278']
          Individual editions of MONDAY from LIGHT:  
212   118 1986/1988 No. 55 MONTAGS-GRUSS (EVA-GRUSS)
MONDAY GREETING (EVE’S GREETING)
for multiple basset-horn and elec. keyboard instruments
(performance with basset-horn live and tape, or tape only)
(perhaps 1 transmitter, 8-track tape rec., 5 or 4 loudsp.,
mixing console / sound proj.)		 [34']
213   119 1986 1. ex 55 Xi for a melody instrument with micro-tones
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [6' oder 9']
214   120   2. ex 55 Xi Version for basset-horn
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [9']
215   121   3. ex 55 Xi Version for alto flute or flute
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [6']
216 27A   1987 No. 56 EVAs ERSTGEBURT (EVE'S FIRST BIRTH-GIVING)
(Act 1 of MONDAY from LIGHT)
for 3 sopranos, 3 tenors, bass / actor /
choir (8-track tape or live), staged: 21 actresses / children’s choir /
modern orchestra (3 synthesizer players, 1 perc., tape) (cond.)
(16 transmitters, 8 micr., 8-track tape rec.,
12 loudsp., mixing console / sound proj.)		 [93']
217       ex 56 GEBURTS-FEST (FESTIVAL OF BIRTH)
Choir Music with Sound Scenes
of MONDAY from LICHT
Version of EVE’S FIRST BIRTH-GIVING
for choir a cappella and tape (cond.)
(4-track tape rec., 2 x 2 loudsp., mixing console / sound proj.)		 [68'30]
          The following 3 parts of FESTIVAL OF BIRTH may also be performed individually:  
218         QUELLE DES LEBENS (SPRING OF LIFE)
Choir Music with Sound Scenes
Version of EXPECTING – HEINZELMÄNNCHEN – BIRTH-ARIAS
for choir a cappella and tape (cond.)
(4-track tape rec., 2 x 2 loudsp., mixing console / sound proj.)		 [38'30]
219         KINDERSPIEL (CHILD'S PLAY)
Choir Music with Sound Scenes
Version of BOYS' HULLABALOO
for choir a cappella and tape (cond.)
(4-track tape rec., 2 x 2 loudsp., mixing console / sound proj.)		 [19']
220         TRAUER MIT HUMOR (LAMENT WITH HUMOR)
Choir Music with Sound Scenes
Version of THE GREAT WEEPING
for choir a cappella and tape (cond.)
(4-track tape rec., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 11'30]
221 27B     No. 56½ (+ 2/3) IN HOFFNUNG (EXPECTING)
(Scene of EVE'S FIRST BIRTH-GIVING)
with HEINZELMÄNNCHEN
for 3 sopranos / choir (8-track tape or live), staged: 21 actresses /
modern orchestra (3 synth. players, 1 percussionist, 8-track tape) (cond.)
(4 transmitters, 12 micr. or 4 micr. and 8-track tape rec.,
8 or 12 loudsp., mixing console, sound proj.)		 [27']
222   122 1989 ex 56½ FLAUTINA
Solo for flute with piccolo and alto flute
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [6']
223 27C 123 1987 No. 56¾ GEBURTS-ARIEN (BIRTH-ARIAS)
(Scene of EVE'S FIRST BIRTH-GIVING)
for 3 sopranos, 3 tenors / choir (tape or live) /
1 synthesizer player, 8-track tape (possibly cond.)
(6 transmitters, 8 micr. ad lib., 8-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)		 [17']
          The 2 BIRTH-ARIAS may also be performed individually:  
224   124   1. ex 56¾ Erste GEBURTS-ARIE (First BIRTH-ARIA)
for 3 sopranos /
choir (tape or live) /
1 synth. player, 8-track tape (possibly cond.)
(3 transmitters, 8 micr. ad lib., 8-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)		 [9']
225   125   2. ex 56¾ Zweite GEBURTS-ARIE (Second BIRTH-ARIA)
for 3 tenors, 3 sopranos /
choir (tape or live) /
1 synth. player, 8-track tape (possibly cond.)
(6 transmitters, 8 micr. ad lib., 8-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)
or
for 3 tenors, tape, synthesizer
(3 transmitters, 8-track tape rec.,
8 loudsp., mixing console / sound proj.)		 [9']
226 27D     No. 56 4/5 (+5/6) KNABENGESCHREI (BOYS' HULLABALOO)
(Scene of EVE'S FIRST BIRTH-GIVING)
with LUCIFER'S FURY
for 3 sopranos, bass / actor /
choir (tape or live), children's choir /
modern orchestra (3 synth. players, 1 perc., 8-track tape) (cond.)
(16 transmitters, 8 micr., 8-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)		 [22']
227   126   ex 56 5/6 LUZIFERs ZORN (LUCIFER'S FURY)
for bass, actor /
synthesizer player / tape
(2 transmitters, 2-track tape rec., 2 x 2 loudsp.,
mixing console / sound proj.)		 [26']
228 27E 127   No. 56 6/7 DAS GROSSE GEWEINE (THE GREAT WEEPING)
(Scene of EVE'S FIRST BIRTH-GIVING)
for 3 sopranos, bass /
choir (tape or live) (cond.) /
modern orchestra (3 synth. players,
1 perc., tape)
(5 transmitters, 8 micr., 8-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)		 [10'30"]
229 28A   1984
to 87		 No. 57 EVAs ZWEITGEBURT (EVE'S SECOND BIRTH-GIVING)
(Act 2 of MONDAY from LIGHT)
for 7 solo boy singers /
basset-horn, 3 basset-teases (2 basset-horns and 1 vocal basset-horn) /
piano / choir (tape or live), staged: 21 actresses / girls' choir /
modern orchestra (3 synth. players, 1 perc., tape) (cond.)
(13 transmitters, 16 micr., 8-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)		 [66']
230       ex 57 A cappella version of
MÄDCHENPROZESSION (GIRLS' PROCESSION)
for girls' choir a cappella and piano
(1 transmitter, 8 or possibly 12 micr.,
2 x 2 loudsp., mixing console / sound proj.)		 [19']
231 28B     No. 57½(+2/3) MÄDCHENPROZESSION (GIRLS' PROCESSION)
and
CONCEPTION with PIANO PIECE – RE-BIRTH
(3 scenes of EVE'S SECOND BIRTH-GIVING)
for girls’ choir, piano / choir (tape or live) (cond.) /
modern orchestra (3 synth. players, 1 perc., tape)
(1 or 10 transmitters, 8 micr., [+ 16 or 8 if choir sings live],
8-track tape rec., 8 or 12 loudsp., mixing console / sound proj.)		 [22'30"]
232   128 1984 ex 57 2/3 KLAVIERSTÜCK XIV (PIANO PIECE XIV)
BIRTHDAY-FORMULA of MONDAY from LIGHT
as piano solo
(1 transmitter, 2 micr., 2x2 loudsp., mixing console / sound proj.)		 [6']
233 28C 129 1986 No. 57¾ EVAs LIED (EVE'S SONG)
(scene of EVE'S SECOND BIRTH-GIVING)
for 7 solo boy singers / basset-horn, 3 basset-teases
(2 basset-horns and 1 vocal basset-horn) /
modern orchestra (3 synth. players,
1 perc., tape) / ad lib.: women's choir
(12 transmitters, 6 micr., 8-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)		 [43'30"]
234   130 1986 1. ex 57¾ DIE 7 LIEDER DER TAGE (THE 7 SONGS OF THE DAYS)
for voice (also child's voice) or voice and chordal instrument
or for melody instrument or melody instrument and chordal instrument
edition in the original register and higher register
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [9']
235   131 1986/1988 2. ex 57¾ WOCHENKREIS (CIRCLE OF THE WEEK)
Duet for basset-horn and synthesizer player
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [25'30"]
236 29A   1984
to 86		 No. 58 EVAs ZAUBER (EVE'S MAGIC)
(Act 3 of MONDAY from LIGHT)
for basset-horn, alto flute with piccolo /
choir (cond.), children's choir /
modern orchestra (3 synth. players, 1 perc., tape)
(12 transmitters, 8 micr., 8-track tape rec., 8 or 12 loudsp.,
mixing console / sound proj.)		 [57']
237 29B   1984/1985 No. 58½ BOTSCHAFT (MESSAGE)
(scene from EVE'S MAGIC)
for basset-horn, alto flute / choir (cond.) /
modern orchestra (3 synth. players, 1 perc., tape)
(12 transmitters, 14 micr., 8-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)
or		 [27']
  29C       for basset-horn, alto flute / choir (cond.) / tape
(2 transmitters, 8 micr., 8-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)
or		  
    132     for basset-horn, alto flute (without choir) /
modern orchestra (3 or 1 synth. player(s), 1 perc., tape)
(3 transmitters, 6 micr., 8-track tape rec.,
8 or 12 loudsp., mixing console / sound proj.)		  
238   133   No. 58½
ossia		 AVE (from EVE'S MAGIC)
for basset-horn and alto flute
(2 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [23'30"]
239   134 1984 1. ex 58½ EVAs SPIEGEL (EVE'S MIRROR)
(from EVE'S MAGIC)
for basset-horn
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [4']
240   135 1984 2. ex 58½ SUSANI (from EVE’S MAGIC)
for basset-horn
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [7']
241   136 1985 3. ex 58½ SUSANI'S ECHO (from EVE'S MAGIC)
for alto flute
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [7']
242 29D   1986 No. 58 2/3 DER KINDERFÄNGER (THE PIED PIPER)
(scene from EVE'S MAGIC) with ABDUCTION
for alto flute with piccolo / children's choir /
modern orchestra (3 synth. players, 1 perc., tape) / ad lib.: basset-horn
(2 transmitters, 6 micr., 8-track tape rec., 8 loudsp., mixing console /
sound proj.)		 [30'30"]
    137   No. 58 2/3
ossia		 DER KINDERFÄNGER (THE PIED PIPER)
for alto flute with piccolo /
2 synthesizer players, percussionist, tape
(4 transmitters, 8-track tape rec., 4 monitor loudsp., 8 loudsp.,
mixing console / sound proj.)
or as		 [ca. 32']
    138     solo for alto flute with piccolo and tape
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 [poss. 2 x 2] loudsp., mixing console / sound proj.)		  
243   139   1. ex 58 2/3 ENTFÜHRUNG (ABDUCTION)
(from EVE'S MAGIC)
as solo for piccolo flute
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [12']
244   140   1. ex 58 2/3
ossia		 ENTFÜHRUNG (ABDUCTION)
(aus EVAs ZAUBER)
for soprano saxophone and electronic and concrete music
or as solo for soprano saxophone
(1 transmitter, 2-track tape rec.,
2 x 2 loudsp., mixing console / sound proj.)		 [14']
245     1986/1988 No. 59 MONTAGS-ABSCHIED (EVA-ABSCHIED)
MONDAY FAREWELL (EVE'S FAREWELL)
for piccolo flute, multiple soprano voice and
elec. keyboard instruments
(performance with 8-track tape only)
(8-track tape rec., 7 or 4 loudsp., mixing console / sound proj.)		 [28']
246   141 1989 1. ex 59 QUITT (EVEN) for 3 players
(for example for alto flute, clarinet, piccolo-trumpet)
(3 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 7']
247   142 1989 2. ex 59 YPSILON
for a melody instrument (with micro-tones)
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 9']
248   143   3. ex 59 YPSILON Version for basset-horn
(2 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [9']
249   144   4. ex 59 YPSILON Version for flute
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [9']
250     1977/1987
to 91
(see 1977,
Work No. 47
and No. 47½)		 No. 47/
No. 60–61		 DIENSTAG aus LICHT (TUESDAY from LIGHT)
Opera in a greeting and two acts with farewell
for 17 musical performers
(3 solo voices, 10 solo instrumentalists,
4 dancer-mimes), actors, mimes,
choir, modern orchestra, tapes

DIENSTAGS-GRUSS (TUESDAY GREETING)
(WELCOME with PEACE GREETING)

Act 1    JAHRESLAUF (COURSE OF THE YEARS)
Act 2    INVASION – EXPLOSION mit ABSCHIED
            (INVASION – EXPLOSION with FAREWELL)		 [ca. 156']
          Individual editions of TUESDAY from LIGHT:
(Individual editions of DER JAHRESLAUF: see Work No. 47½ [1977])		  
251 30A   1987/1988 No. 60 DIENSTAGS-GRUSS (TUESDAY GREETING)
(WELCOME with PEACE GREETING)
for soprano / 9 trumpets, 9 trombones, 2 synthesizer players /
choir, conductor and co-conductor
(1 transmitter, 8 micr., mixing console / sound proj.)		 [21']
252 30B 145 1988 1. ex 60 WILLKOMMEN (WELCOME)
for trumpets, trombones, 2 synthesizer players (cond.)		 [1'25"]
253   146 1989 2. ex 60 SUKAT for basset-horn and alto flute
(2 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [8']
(see 161)     1977/1991
(see 1977,
Work No. 47
and No. 47½)		 No. 47 JAHRESLAUF vom DIENSTAG
(COURSE OF THE YEARS of TUESDAY)
(Act 1 of TUESDAY from LIGHT)
for tenor, bass / 4 dancer-mimes /
an actor-singer, 3 mimes, little girl, beautiful woman /
modern orchestra (14 instruments: 3 synth. players / 3 piccolo flutes /
3 soprano saxophones / electr. cembalo or synthesizer / guitar /
3 percussionists), tape / sound projectionist
(7 transmitters, 7 micr., 2-track tape rec., 8 or 12 loudsp., mixing console)		 [ca. 61']
          or as quasi concert performance
for tenor, bass / modern orchestra (14 inst.),
tape / sound projectionist
(5 transmitters, 7 micr., 2-track tape rec., 8 or 12 loudsp., mixing console)		 [50']
254 31 147 1990/1991 No. 61 INVASION – EXPLOSION mit ABSCHIED
(INVASION – EXPLOSION with FAREWELL)
(Act 2 of TUESDAY from LIGHT)
for solo soprano, tenor, bass /
3 trumpets (1st also solo flugelhorn), 3 trombones,
2 synthesizer players with 2 assistants, 2 percussionists with 2 assistants /
ad lib. 6 tutti trumpets and 6 tutti trombones /
choir (cond.) / 8-track tape (octophonic electronic music) /
sound projectionist
(5 transmitters, 8 micr. [or ca. 40] , 8-track tape rec., 2-track tape rec.,
16 [poss. 20] loudsp., mixing console)		 [74']
255     1990/1991 1. ex 61 OKTOPHONIE (OCTOPHONY)
Electronic Music of TUESDAY from LIGHT
(8-track tape rec., 8 x 2 loudsp., mixing console / sound proj.)		 [69']
256   148 1992 2. ex 61 SIGNALE zur INVASION (SIGNALS to INVASION)
for trombone and electronic music
(1 transmitter, 8-track tape rec., 8 x 2 loudsp.,
mixing console / sound proj.)		 [ca. 19' or 30'
or 52']
          or as trombone solo [ca. 25']
257   149 1990/1991 No. 61½ PIETÀ
for flugelhorn, soprano and electronic music
(2 transmitters, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2], mixing console / sound proj.)
or		 [27'45"]
          for flugelhorn and electronic music
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [27'45"]
258     1991 No. 61 2/3 DIENSTAGS-ABSCHIED (TUESDAY FAREWELL)
for choir (cond.), a player of electronic keyboard instruments and
electronic music
(8 micr. [or ca. 40] , 8-track tape,
8 x 2 loudsp., mixing console / sound proj.)		 [23']
259   150   ex 61 2/3 SYNTHI-FOU (KLAVIERSTÜCK XV)
(PIANO PIECE XV)
for a player of electronic keyboard instruments and
electronic music
(8-track tape, 8 x 2 loudsp., mixing console / sound proj.)		 [23']
260     1991
to 94		 No. 62–64 FREITAG aus LICHT (FRIDAY from LIGHT)
Opera in a greeting, two acts and farewell
for 5 musical performers
(soprano, baritone, bass, flute, basset-horn),
children’s orchestra, children’s choir, 12 choir singers /
a synthesizer player /
12 couples of dancer-mimes,
electronic music with sound scenes /
sound projectionist

FREITAGS-GRUSS (FRIDAY GREETING)
FREITAG-VERSUCHUNG (FRIDAY TEMPTATION)
FREITAGS-ABSCHIED (FRIDAY FAREWELL)		 [ca. 290']
          Individual editions of FRIDAY from LIGHT:  
261     1991/1992/1994 No. 62 FREITAGS-GRUSS (FRIDAY GREETING)
and		 [ca. 68'30]
          FREITAGS-ABSCHIED (FRIDAY FAREWELL)
Electronic Music of FRIDAY
(GREETING and FAREWELL together are entitled WELTRAUM [OUTER SPACE])		 [ca. 78']

[ca. 146']
          (8-track tape rec., 8 loudsp., mixing console / sound proj.)  
262     1992/1999 No. 63 PAARE vom FREITAG (COUPLES of FRIDAY)
with soprano, bass, electronic instruments (tape)
(2-track tape rec., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 65']
263     1992/1994 No. 62+63 ELEKTRONISCHE MUSIK mit TONSZENEN
vom FREITAG aus LICHT
(ELECTRONIC MUSIC with SOUND SCENES of FRIDAY from LIGHT)
with 12 soprano and bass voices,
electronic instruments
(24-track tape rec., 12 loudsp., mixing console / sound proj.)		 [ca. 145']
264   151 1995 No. 63½ KLAVIERSTÜCK XVI (PIANO PIECE XVI)
for tape, stringed piano, electronic keyboards ad lib.,
sound projectionist
3 micr. [or 2 mic., 1 transmitter], 12-track or 8-track or
2-track tape rec. / 12 [or 8 or 4 or 2 x 2] loudsp., mixing console)		 [7']
265     1992/1999 No. 63 2/3 TWO COUPLES
Electronic and Concrete Music
(2-track tape rec. / 2 x 2 loudsp., mixing console / sound proj.)		 [21']
266 32A   1991
to 94		 No. 64 FREITAG-VERSUCHUNG (FRIDAY TEMPTATION)
for 5 musical performers
(soprano, baritone, bass, flute, basset-horn) /
children’s orchestra, children’s choir, 12 choir singers /
a synthesizer player /
12 couples of dancer-mimes (ad lib. in concert performances) /
electronic music with sound scenes (24-track tape) /
sound projectionist
(16 transmitters, ca. 10 micr., 24-track tape rec.,
12 loudsp., mixing console)		 [ca. 145']
267   152 1994 1. ex 64 ANTRAG (PROPOSAL)
for soprano, bass / flute, basset-horn /
electronic music / sound projectionist
(4 transmitters, 8 [or 2 x 2] loudsp.,
8-track or 2-track tape rec., mixing console)		 [12' 30"]
268 32B 153 1994 2. ex 64 KINDER-ORCHESTER (CHILDREN'S ORCHESTRA)
(for example 16 instruments) and soprano (also as cond.),
flute, basset-horn / a synthesizer player /
electronic music / sound projectionist
(3 transmitters, ca. 4 micr., 8 [or 2 x 2] loudsp.,
8- or 2-track tape rec., mixing console)		 [6' ]
269   154 1994 3. ex 64 KINDER-CHOR (CHILDREN'S CHOIR)
(for example 24 voices) and bass (also as cond.),
a synthesizer player /
electronic music / sound projectionist
(1 transmitter, ca. 6 micr., 8 [or 2 x 2] loudsp.,
8-track or 2-track tape rec., mixing console)		 [9' 30"]
270 32C 155 1994 4. ex 64 KINDER-TUTTI (CHILDREN'S TUTTI)
for children's orchestra, children's choir /
soprano (also as cond.), bass / flute, basset-horn /
a synthesizer player /
electronic music / sound projectionist
(8 transmitters, 6 micr., 8 [or 2 x 2] loudsp.,
8-track or 2-track tape rec., mixing console)		 [7' ]
271   156 1994 5. ex 64 ZUSTIMMUNG (CONSENT)
for soprano, bass / flute, basset-horn /
electronic music / sound projectionist
(4 transmitters, 8 [or 2 x 2] loudsp.,
8-track or 2-track tape rec., mixing console)		 [9' ]
272   157 1994 6. ex 64 FALL
for soprano, baritone / flute, basset-horn /
electronic music / sound projectionist
(4 transmitters, 8 [or 2 x 2] loudsp.,
8-track or 2-track tape rec., mixing console)		 [18' ]
273   158 1994 7. ex 64 KINDER-KRIEG (CHILDREN'S WAR)
for children's choir (possibly cond.) / a synthesizer player /
electronic music / sound projectionist
(ca. 8 micr., 8 [or 2 x 2] loudsp., 8-track or
2-track tape rec., mixing console)		 [12' ]
274   159 1994/1999 7½ ex 64 KOMET (COMET) as PIANO PIECE XVII
for electronic keyboard, electronic and concrete music,
sound projectionist
(poss. 1 transmitter, 4 [or 4 x 2] loudsp.,
8-track or 2-track tape rec., mixing console)		 [ca. 15']
275   160 1994/1999 7 2/3 ex 64 KOMET (COMET)
Version for a percussionist,
electronic and concrete music, sound projectionist
(1 or more micr., 4 [or 4 x 2] loudsp.,
8-track or 2-track tape rec., mixing console)		 [ca. 15']
276   161 1994 8. ex 64 REUE (REPENTANCE)
for soprano, flute, basset-horn / electronic music / sound projectionist
(3 transmitters, 8 [or 2 x 2] loudsp., 8-track or
2-track tape rec., mixing console)		 [10' ]
277   162 1991 9. ex 64 ELUFA
for basset-horn, flute / electronic music ad lib.
(2 transmitters, 8 [or 2 x 2] loudsp., perhaps 8-track or
2-track tape rec. ad lib., mixing console / sound proj.)		 [7' 30"]
278   163 1991 9½ ex 64 FREIA for flute
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [7']
279   164 1991 9 2/3 ex 64 FREIA for basset-horn
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [7']
280   165 2003 9¾ ex 64 VIBRA-ELUFA for vibraphone
(2 micr., 2 x 2 loudsp., mixing console / sound proj.)		 [7']
281   166 1994 10. ex 64 CHOR-SPIRALE (CHOIR SPIRAL)
for 12 choir singers (3 S, 3 A, 6 B) /
electronic music / sound projectionist
(12 transmitters or ca. 6 micr., 8 [or 2 x 2] loudsp.,
8-track or 2-track tape rec., mixing console)		 [8' ]
282     1995
to 97		 No. 65–71 MITTWOCH aus LICHT (WEDNESDAY from LIGHT)
Opera in a greeting, four scenes and a farewell
for 9 musical performers
(flute, basset-horn, trumpet, trombone, string quartet,
bass with short-wave receiver),
choir with singing conductor,
orchestra (13 acting instrumentalists when staged) /
a synthesizer player / 2 dancer-mimes /
electronic music (tapes) /
sound projectionist

MITTWOCHS-GRUSS (WEDNESDAY GREETING)
1st scene WELT-PARLAMENT (WORLD PARLIAMENT)
2nd scene ORCHESTER-FINALISTEN (ORCHESTRA FINALISTS)
3rd scene HELIKOPTER-STREICHQUARTETT (HELICOPTER STRING QUARTET)
4th scene MICHAELION
MITTWOCHS-ABSCHIED (WEDNESDAY FAREWELL)		 [ca. 267']
          Individual editions of WEDNESDAY from LIGHT  
283   167 1998 No. 65 MITTWOCHS-GRUSS (WEDNESDAY GREETING)
Electronic Music
(8-track tape rec., 4 x 2 loudsp.,
mixing console / sound proj.)		 [54']
284     1995 No. 66 WELT-PARLAMENT (WORLD PARLIAMENT)
(1st scene of WEDNESDAY from LIGHT)
for choir a cappella (with singing conductor)
(34 micr., plus 15 transmitters when staged,
2 x 2 loudsp., mixing console / sound proj.)		 [ca. 40']
285   168 1995 No. 67 LICHT-RUF (CALL from LIGHT)
for trumpet, basset-horn, trombone
or other instruments
(for example, as an interval signal on tape)		 [5 x 22"
or more often]
286 33 169 1995/1996 No. 68 ORCHESTER-FINALISTEN (ORCHESTRA FINALISTS)
(2nd scene of WEDNESDAY from LIGHT)
for orchestra (26 or 13 instrumentalists) /
electronic and concrete music / sound projectionist
(3 transmitters [staged: 11 transmitters], 10 micr.,
16-track tape rec., 8 oder 8 x 2 loudsp., mixing console)		 [2 x 45’,
staged
46’]
287   170 1995/1996 1. ex 68 OBOE from ORCHESTRA FINALISTS
for oboe and electronic music
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)/td> 		[5'15"]
288   171 1995/1996 2. ex 68 VIOLONCELLO from ORCHESTRA FINALISTS
for violoncello and electronic music
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [3'23"]
289   172 1995/1996 3. ex 68 KLARINETTE (CLARINET) from ORCHESTRA FINALISTS
for clarinet and electronic music
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [2'59"]
290   173 1995/1996 4. ex 68 FAGOTT (BASSOON) from ORCHESTRA FINALISTS
for bassoon and electronic music
(2 micr., 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [3'50"]
291   174 1995/1996 5. ex 68 VIOLINE (VIOLIN) from ORCHESTRA FINALISTS
for violin and electronic music
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [3'20"]
292   175 1995/1996 6. ex 68 TUBA from ORCHESTRA FINALISTS
for tuba and electronic music
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [4'21"]
293   176 1995/1996 7. ex 68 FLÖTE (FLUTE) from ORCHESTRA FINALISTS
for flute and electronic music
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [5'13"]
294   177 1995/1996 8. ex 68 POSAUNE (TROMBONE) from ORCHESTRA FINALISTS
for trombone and electronic music
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [4'12"]
295   178 1995/1996 9. ex 68 VIOLA from ORCHESTRA FINALISTS
for viola and electronic music
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [4'33"]
296   179 1995/1996 10. ex 68 TROMPETE (TRUMPET) from ORCHESTRA FINALISTS
for trumpet and electronic music
(1 transmitter, 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [4'25"]
297   180 1995/1996 11. ex 68 KONTRABASS (DOUBLE-BASS) from ORCHESTRA FINALISTS
for double-bass, a gong hitter and electronic music
(3 micr., 8-track [poss. 2-track] tape rec.,
8 x 2 loudsp. [poss. 2 x 2] , mixing console / sound proj.)		 [8'21"]
298   181 1992/1993 No. 69 HELIKOPTER-STREICHQUARTETT
(HELICOPTER STRING QUARTET)
(3rd scene of WEDNESDAY from LIGHT)
(string quartet, 4 helicopters, 4 video cameras,
4 televison transmitters, 4 x 3 microphones,
4 x 3 audio transmitters, equipment for transmission of click-track,
4 columns of television monitors [or ? x 4],
4 groups of loudspeakers [or ? x 4],
sound mixing console[s] 12 → 4 / sound projectionist [s])		 [ca. 31']
299   182 1997 No. 70 MICHAELION
(4th scene of WEDNESDAY from LIGHT)
PRESIDENCY – LUCICAMEL – OPERATOR
for choir / bass with short-wave receiver /
flute, basset-horn, trumpet, trombone /
a synthesizer player, tape / 2 dancers / sound projectionist
(19 micr., 8 transmitters, 8-track tape-rec.,
19 loudsp., 4 monitor loudsp., mixing console)
(staged: small loudsp. in niches and on balconies, 7 video cameras,
7 video screens)		 [ca. 60']
300   183 1997 1. ex 70 THINKI for flute
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 4'30"]
301   184 1997 2. ex 70 BASSETSU for basset-horn
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 5'30"]
302   185 1997 3. ex 70 BASSETSU-TRIO
for basset-horn, trumpet, trombone
(3 transmitters, 2 x 2 or 4 x 2 loudsp. mixing console / sound proj.)		 [ca. 26']
303   186 1997 4. ex 70 MENSCHEN, HÖRT (MANKIND, HEAR)
(of WEDNESDAY from LIGHT)
for vocal sextet (2 S, A, T, 2 B)
(6 transmitters, 6 or 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 16']
304   187 1997 5. ex 70 KAMEL-TANZ (CAMEL-DANCE)
for bass, trombone, synthesizer or tape and 2 dancers
(2 transmitters, 2 x 2 loudsp., 2-track tape rec., mixing console / sound proj.)		 [ca. 5']
305   188 1997 No. 70½ ROTARY Woodwind Quintet [ca. 8']
306   189 1996 No. 71 MITTWOCHS-ABSCHIED (WEDNESDAY FAREWELL)
Electronic and Concrete Music
(8-track tape rec., 8 x 2 loudsp.,mixing console / sound proj.)		 [44']
307   190 1992/2002 No. 72 EUROPA-GRUSS (EUROPE GREETING)
for wind instruments (and synthesizers ad lib.)		 [ca. 12'30"]
308   191 1995 No. 73 for 4 trumpeters
(4 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 16']
309   192 2004 No. 73½ MITTWOCH-FORMEL (WEDNESDAY FORMULA)
with 3 percussionists (METAL – WOOD – SKIN)
(2 x 2 loudsp., ca. 9 micr., mixing console / sound proj. )		 [23'35"]
310   193 2004 No. 73 2/3 KLAVIERSTÜCK XVIII (MITTWOCH-FORMEL) /
PIANO PIECE XVIII (WEDNESDAY FORMULA)
for electronic piano
(2 x 2 Lautspr., 2 Mikr., Mischpult / Klangr. )		 [12'12"]
311     1997 No. 74 LITANEI 97
for choir and conductor		 [ca. 23']
312     1998
to
2003		 No. 75–80 SONNTAG aus LICHT (SUNDAY from LIGHT)
Opera in five scenes and a farewell
for 10 vocal soloists, boy’s voice,
four instrumental soloists,
two choirs, two orchestras,
electronic music, sound projectionist

1st scene   LICHTER – WASSER (SONNTAGS-GRUSS) /
                   LIGHTS – WATERS (SUNDAY GREETING)
2nd scene ENGEL-PROZESSIONEN / ANGEL PROCESSIONS
3rd scene  LICHT-BILDER / LIGHT-PICTURES
4th scene  DÜFTE – ZEICHEN / SCENTS – SIGNS
5th scene  HOCH-ZEITEN / HIGH-TIMES

SONNTAGS-ABSCHIED / SUNDAY FAREWELL		 [ca. 278']
          SUNDAY from LIGHT has 5 scenes, which are ideally performed on three successive days:  
          1st day LICHTER – WASSER (LIGHTS – WATERS) (no intermission)
              ENGEL-PROZESSIONEN (ANGEL PROCESSIONS) [51' + 40' ] .		  
          2nd day LICHT-BILDER (LIGHT PICTURES) (intermission) DÜFTE – ZEICHEN (SCENTS – SIGNS) [ca. 40' + 57' ] .  
          3rd day HOCH-ZEITEN (HIGH-TIMES) for orchestra [35']  
                        HOCH-ZEITEN (HIGH-TIMES) for choir [35']
and reversed (with an intermission)
  
                        SUNDAY FAREWELL [35'] .  
          Individual editions of SUNDAY from LIGHT:  
313 34   1998/99 No. 75 LICHTER – WASSER (SONNTAGS-GRUSS)
LIGHTS – WATERS (SUNDAY GREETING)
(1st scene of SUNDAY from LIGHT)
for soprano, tenor, and orchestra with synthesizer (cond.)
(2 transmitters, 29 micr., 4 x 2 loudsp., mixing console / sound proj.)		 [ca. 51']
314     2000 No. 76 ENGEL-PROZESSIONEN (ANGEL PROCESSIONS)
(2nd scene of SUNDAY from LIGHT)
for choir a cappella (cond.)		 [ca. 40']
315   194 2002/2003 No. 77 LICHT-BILDER (LIGHT-PICTURES)
(3rd scene of SUNDAY from LIGHT)
for basset-horn, flute with ring-modulation,
tenor, trumpet with ring-modulation,
synthesizer, light-picture (ad. lib.)
(4 transmitters, 4 x 2 loudsp., mixing console / sound proj.)		 [ca. 42']
316   195 2002 No. 78 DÜFTE – ZEICHEN (SCENTS – SIGNS)
(4th scene of SUNDAY from LIGHT)
for 7 vocalists, boy’s voice, synthesizer
(8 transmitters, CD player, 7 loudsp., 4 monitor loudsp.,
mixing console / sound proj.)		 [ca. 57']
317   196 2002 1. ex 78 CUCHULAINN (MONDAY SCENT)
(from SCENTS – SIGNS of SUNDAY from LIGHT)
for soprano, with synthesizer
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [4'13"]
318   197 2002 2. ex 78 KYPHI (TUESDAY SCENT)
(from SCENTS – SIGNS of SUNDAY from LIGHT)
for tenor and bass, with synthesizer
(2 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [5'04"]
319   198 2002 3. ex 78 MASTIX / MASTIC (WEDNESDAY SCENT)
(from SCENTS – SIGNS of SUNDAY from LIGHT)
for soprano, tenor and baritone, with synthesizer
(3 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [4'10"]
320   199 2002 4. ex 78 ROSA MYSTICA (THURSDAY SCENT)
(from SCENTS – SIGNS of SUNDAY from LIGHT)
for tenor, with synthesizer
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [7'28"]
321   200 2002 5. ex 78 TATE YUNANAKA (FRIDAY SCENT)
(from SCENTS – SIGNS of SUNDAY from LIGHT)
for soprano and baritone, with synthesizer
(2 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [4'27"]
322   201 2002 6. ex 78 UD (SATURDAY SCENT)
(from SCENTS – SIGNS of SUNDAY from LIGHT)
for bass, with synthesizer
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [4'17"]
323   202 2002 7. ex 78 WEIHRAUCH /FRANKINCENSE (SUNDAY SCENT)
(from SCENTS – SIGNS of SUNDAY from LIGHT)
for soprano and tenor, with synthesizer
(2 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [8'16"]
324   203 2002 8. ex 78 KNABEN-DUFT (BOY SCENT)
(from SCENTS – SIGNS of SUNDAY from LIGHT)
Solo for alto, with synthesizer and vocal sextet (live or tape)
(1 [or 7] transmitter (s), 8-track tape rec., 2 x 2 loudsp.,
mixing console / sound proj.)		 [7'01"]
325   204 2002 9. ex 78 HIMMELS-DUFT (HEAVEN'S SCENT)
(from SCENTS – SIGNS of SUNDAY from LIGHT)
Duet for boy's voice and alto, with synthesizer, vocal sextet
or Duet for boy’s voice and alto with tape
(8 transmitters, 2 x 2 loudsp., mixing console / sound proj.
or 2 transmitters, 8-track tape rec., CD player, 2 x 2 loudsp.,
mixing console / sound proj.)		 [7'34"]
326 35   2001/2002 No. 79 HOCH-ZEITEN (HIGH-TIMES)
(5th scene of SUNDAY from LIGHT)
for choir and orchestra (2 cond.)
(33 + 41 micr., 2 x 5 loudsp., 2 mixing consoles / 2 sound proj.)		 [ca. 2 x 35']
327   205 2001/2003 No. 80 SONNTAGS-ABSCHIED (SUNDAY FAREWELL)
(of SUNDAY from LIGHT)
Electronic Music (5 synthesizers)
(5- or 10-track tape rec., 5 or 5 x 2 loudsp., mixing console / sound proj.)
or		 [35']
          SONNTAGS-ABSCHIED als KLAVIERSTÜCK XIX /
SUNDAY FAREWELL as PIANO PIECE XIX
for a synthesizer player and tape
(5- or 10-track tape rec., 5 or 5 x 2 loudsp., mixing console / sound proj.)		 [35']
not yet
premièred
328   206 2002 No. 80½ STRAHLEN (RAYS) for a percussionist and 10-track recording
(ca. 3 micr., 16-track tape rec., 5 loudsp.,
mixing console / sound proj.)		 [ca. 35']
      2004
to
2007		 No. 81–101 KLANG (SOUND)
The 24 Hours of the Day		  
329   207 2004/2005 No. 81 KLANG – 1st Hour
HIMMELFAHRT (ASCENSION)
for organ or synthesizer, soprano and tenor
(2 transmitters, 7 microphones, 2 x 2 loudsp., mixing console / sound proj.)		 [37']
330   208 2005 No. 82 KLANG – 2nd Hour
FREUDE (JOY) for two harps
(2 transmitters, 4 microphones, 2 x 2 loudsp., mixing console / sound proj.)		 [41']
331–354   209 2005/2006 No. 83 KLANG – 3rd Hour
NATÜRLICHE DAUERN 1–24 /
(NATURAL DURATIONS 1–24) for piano
(1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 140']
355   210 2005 No. 84 KLANG – 4th Hour
HIMMELS-TÜR (HEAVEN'S DOOR)
for a percussionist and a little girl
(2-track tape rec., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 28']
356     2006 No. 84 extra 24 TÜRIN for door, rin and speaker
[2 versions: German and English]
(2-track tape rec., 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 13']
357   211 2006 No. 85.1 KLANG – 5th Hour
HARMONIEN(HARMONIES) for bass clarinet
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 15']
358   212 2006 No. 85.2 KLANG – 5th Hour
HARMONIEN (HARMONIES) for flute
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 15']
359   213 2006 No. 85.2
extra		 KATIKATI for flute [ca. 4']
noch nicht
uraufgeführt
360   214 2006 No. 85.3 KLANG – 5th Hour
HARMONIEN (HARMONIES) for trumpet
(1 transmitter, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 16']
361   215 2006 No. 86 KLANG – 6th Hour
SCHÖNHEIT (BEAUTY) for bass clarinet, flute and trumpet
(3 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 28']
362   216 2007 No. 87 KLANG – 7th Hour
BALANCE for bass clarinet, English horn, flute
(3 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 32']
363   217 2007 No. 88 KLANG – 8th Hour
GLÜCK (BLISS) for bassoon, English horn, oboe
(3 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 30']
364   218 2007 No. 89 KLANG – 9th Hour
HOFFNUNG (HOPE) for violoncello, viola, violin
(3 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [32'30"]
365   219 2007 No. 90 KLANG – 10th Hour
GLANZ (BRILLIANCE) for bassoon, viola, clarinet,
oboe, trumpet, trombone, tuba
(7 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 38']
366   220 2007 No. 91 KLANG – 11th Hour
TREUE (FIDELITY) for bass clarinet, basset-horn, clarinet
(3 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 30']
367   221 2007 No. 92 KLANG – 12th Hour
ERWACHEN (AWAKENING)
for violoncello, trumpet, soprano saxophone
(3 transmitters, 2 x 2 loudsp., mixing console / sound proj.)		 [ca. 30']
368     2006/2007 No. 93 KLANG – 13th Hour
COSMIC PULSES
Electronic Music
(8-track tape rec., 8 x 2 loudsp. , mixing console / sound proj.		 [32']
369   222 2007 No. 94 KLANG – 14th Hour
HAVONA for bass and electronic music
(layers 24 - 23 - 22 from COSMIC PULSES)
(1 transmitter, 8- or 2-track tape rec., 8 x 2 or 2 x 2 loudsp.,
mixing console / sound proj.)		 [25'06"]
370   223 2007 No. 95 KLANG – 15th Hour
ORVONTON for baritone and electronic music
(layers 21 - 20 - 19 from COSMIC PULSES)
(1 transmitter, 8- or 2-track tape rec., 8 x 2 or 2 x 2 loudsp.,
mixing console / sound proj.)		 [24'06"]
371   224 2007 No. 96 KLANG – 16th Hour
UVERSA for basset-horn and electronic music
(layers 18 - 17 - 16 from COSMIC PULSES)
(1 transmitter, 8- or 2-track tape rec., 8 x 2 or 2 x 2 loudsp.,
mixing console / sound proj.		 [22'40"]
372   225 2007 No. 97 KLANG – 17th Hour
NEBADON for horn and electronic music
(layers 15 - 14 - 13 from COSMIC PULSES)
(1 transmitter, 8- or 2-track tape rec., 8 x 2 or 2 x 2 loudsp.,
mixing console / sound proj.)		 [21'42"]
373   226 2007 No. 98 KLANG – 18. Stunde
JERUSEM for tenor and electronic music
(layers 12 - 11 - 10 from COSMIC PULSES)
(1 transmitter, 8- or 2-track tape rec., 8 x 2 or 2 x 2 loudsp.,
mixing console / sound proj.)		 [21']
374   227 2007 No. 99 KLANG – 19th Hour
URANTIA for soprano and electronic music
(layers 9 - 8 - 7 from COSMIC PULSES)
(1 transmitter, 8- or 2-track tape rec., 8 x 2 or 2 x 2 loudsp.,
mixing console / sound proj.)		 [19'45"]
375   228 2007 No. 100 KLANG – 20th Hour
EDENTIA for soprano saxophone and electronic music
(layers 6 - 5 - 4 from COSMIC PULSES)
(1 transmitter, 8- or 2-track tape rec., 8 x 2 or 2 x 2 loudsp.,
mixing console / sound proj.)		 [18'44"]
376   229 2007 No. 101 KLANG – 21th Hour
PARADIES (PARADISE) for flute and electronic music
(layers 3 - 2 - 1 from COSMIC PULSES)
(1 transmitter, 8- or 2-track tape rec., 8 x 2 or 2 x 2 loudsp.,
mixing console / sound proj.)		 [18'02"]

Stockhausen Complete Edition on compact discs

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being re leased on compact disc. Each CD in this se ries is iden ti fied by Stockhausen's sig na ture fol lowed by an en cir cled num ber. The num bers in di cate the gen er al his tor i cal order of the works.
    Stockhausen real ised the electronic music and par tic i pat ed in these record ings as con duc tor, per form er, sound pro jection ist, and musi cal direc tor. He per son al ly mixed down the record ings, mas tered them for CDs, wrote the texts and drew the cov ers.
    The compact discs, a free catalogue and work list may be ordered by mail or e-mail order from the Stockhausen-Verlag (Kettenberg 15, 51515 Kürten, Deutschland; Fax: + 49 [0]2268-1813; www.stockhausen-verlag.com / stockhausen- verlag@stockhausen.org).

The following CDs are available:

CDs
CD 1

CHÖRE für DORIS / CHORUSES for DORIS for choir a cappella
CHORALE for choir a cappella
DREI LIEDER / THREE SONGS for alto voice and chamber orchestra
SONATINE for violin and piano
KREUZSPIEL / CROSS-PLAY for oboe, bass clarinet, piano, 3 percussionists
CD 2

FORMEL / FORMULA for orchestra
SCHLAGTRIO / PERCUSSIVE TRIO for piano and 2 x 3 timpani
SPIEL / PLAY for orchestra
PUNKTE / POINTS for orchestra (conductor: K. Stockhausen)
CD 3

ETUDE Musique Concrète
STUDIE I and II Electronic Music
GESANG DER JÜNGLINGE / SONG OF THE YOUTHS Electronic Music
KONTAKTE / CONTACTS Electronic Music
CD 4

KONTRA-PUNKTE / COUNTER-POINTS for 10 instruments
ZEITMASZE / TIME-MEASURES for 5 wood-winds
STOP for orchestra – ADIEU for woodwind quintet
CD 5

GRUPPEN / GROUPS for 3 orchestras
CARRÉ for 4 orchestras and 4 choirs
CD 6

ZYKLUS / CYCLE for a percussionist
REFRAIN for three players
KONTAKTE / CONTACTS for electronic sounds, piano and percussion
CD 7

MOMENTE / MOMENTS for solo soprano, 4 choir groups and 13 instrumentalists
Europe Version 1972 and Donaueschingen Version 1965 (conductor: K. Stockhausen)
3 CDs with 4-colour text booklet (80 pages, German-English)
and separate book with complete sung texts (32 x 27 cm, 36 pages, colour print)
CD 8

MIXTUR/ MIXTURE for orchestra, sine-wave generators and ring modulators (2 versions)
CD 9

MIKROPHONIE I / MICROPHONY I for tam-tam, 2 microphones, 2 filters with potentiometers (6 players)
MIKROPHONIE II / MICROPHONY II for choir, Hammond organ, 4 ring modulators
TELEMUSIK / TELEMUSIC Electronic Music
Edition with booklet in English (128 pages) / Edition with booklet in German (128 pages)
CD 10

HYMNEN Electronic and Concrete Music
HYMNEN Electronic and Concrete Music with soloists (Aloys Kontarsky, Alfred Alings,
Rolf Gehlhaar, Johannes G. Fritsch, Harald Bojé, K. Stockhausen) (4 CDs)
CD 11

PROZESSION / PROCESSION Version with tam-tam, electrochord, electronium, piano, filters and potentiometers
CEYLON for electronium, camel bells with triangles and synthesizer, modulated piano,
tam-tam, Kandy drum (Intuitive Music from the cycle FOR TIMES TO COME)
CD 12

STIMMUNG / TUNING for 6 vocalists – Paris Version (recordings from 1969 and 1982) (2 CDs)
CD 13

KURZWELLEN / SHORT-WAVES for 6 players
CD 14

AUS DEN SIEBEN TAGEN / FROM THE SEVEN DAYS Intuitive Music (15 recordings on 7 CDs)
Edition with booklet in English (124 pages) / Edition with booklet in German (124 pages)
CD 15

SPIRAL for a soloist (2 versions)
POLE / POLES for 2
(Péter Eötvös, Harald Bojé)
CD 16

MANTRA for two pianists (Alfons and Aloys Kontarsky)
CD 17.1

FÜR KOMMENDE ZEITEN / FOR TIMES TO COME Intuitive Music (Ensemble for Intuitive Music Weimar)
(SHORTENING – AWAKE – HALT – PRESENTIMENT – INSIDE – WAVES)
CD 18

STERNKLANG / STAR SOUND Park Music for five groups (2 CDs)
CD 19

TRANS for orchestra (world première and studio recording)
CD 20

AM HIMMEL WANDRE ICH / IN THE SKY I AM WALKING American Indian songs for 2 voices
(Helga Hamm-Albrecht, Karl O. Barkey)
CD 21

YLEM for 19 players (2 versions)
CD 22

INORI Adorations for one or two soloists and orchestra
CD 23

ATMEN GIBT DAS LEBEN / BREATHING GIVES LIFE Choir Opera with orchestra
CD 24

TIERKREIS / ZODIAC for music boxes
MUSIK IM BAUCH / MUSIC IN THE BELLY for 6 percussionists and music boxes
(Les Percussions de Strasbourg)
CD 25

HARLEKIN / HARLEQUIN for clarinet
DER KLEINE HARLEKIN / THE LITTLE HARLEQUIN for clarinet
(Suzanne Stephens)
CD 26

SIRIUS electronic music and trumpet, soprano, bass clarinet, bass (2 CDs)
CD 27

IN FREUNDSCHAFT / IN FRIENDSHIP for clarinet
TRAUM-FORMEL / DREAM-FORMULA for basset-horn
AMOUR for clarinet
(Suzanne Stephens)
CD 28

Music for flute, piccolo flute, alto flute with Kathinka Pasveer (2 CDs)
IN FREUNDSCHAFT / IN FRIENDSHIP for flute
PICCOLO for piccolo flute
AMOUR for flute
SUSANI'S ECHO for alto flute
Xi Version for flute
ZUNGENSPITZENTANZ / TIP-OF-THE-TONGUE-DANCE for piccolo flute
FLAUTINA for flute with piccolo flute and alto flute
YPSILON Version for flute
KATHINKAs GESANG / KATHINKA'S CHANT for flute and electronic music
CD 29

DER JAHRESLAUF / THE COURSE OF THE YEARS for orchestra and tape
CD 30

DONNERSTAG aus LICHT / THURSDAY from LIGHT Opera (4 CDs)
CD 31

UNSICHTBARE CHÖRE / INVISIBLE CHOIRS of THURSDAY from LIGHT for choir a cappella
CD 32

Music for clarinet, bass clarinet, basset-horn with Suzanne Stephens (3 CDs)
LAUB und REGEN / LEAVES and RAIN for clarinet and viola
TIERKREIS / ZODIAC for clarinet and piano
LIBRA for bass clarinet and electronic music
IN FREUNDSCHAFT / IN FRIENDSHIP for basset-horn
TANZE LUZEFA! / DANCE LUCEFA! for basset-horn
BIJOU for alto flute, bass clarinet and tape
MONDEVA/ MOON-EVE for tenor and basset-horn
MISSION und HIMMELFAHRT / MISSION and ASCENSION for trumpet and basset-horn
Xi Version for basset-horn
WOCHENKREIS / CIRCLE OF THE WEEK for basset-horn and elec. keyboard instruments
EVAs SPIEGEL / EVE'S MIRROR for basset-horn
SUSANI for basset-horn
YPSILON Version for basset-horn
SUKAT for basset-horn and alto flute
FREIA for basset-horn
CD 33

ARIES for trumpet and electronic music (Markus Stockhausen) PIANO PIECE XIII (LUCIFER'S DREAM as piano solo) (Majella Stockhausen)
CD 34

SAMSTAG aus LICHT / SATURDAY from LIGHT Opera (4 CDs)
CD 35

OBERLIPPENTANZ / UPPER-LIP-DANCE for piccolo trumpet, 4 horns and 2 percussionists
AVE for basset-horn and alto flute
TIERKREIS / ZODIAC Trio Version for clarinet, flute and piccolo flute, trumpet and piano
CD 36

MONTAG aus LICHT / MONDAY from LIGHT Opera (5 CDs)
CD 37

GEBURTSFEST / FESTIVAL OF BIRTH choir music with sound scenes of MONDAY from LIGHT
(Version of EVE'S FIRST BIRTH-GIVING for choir a cappella and tape)
CD 38

GEBURTS-ARIEN / BIRTH-ARIAS of MONDAY from LIGHT
for 3 sopranos, 3 tenors / choir / children's voices / modern orchestra
MÄDCHENPROZESSION / GIRLS' PROCESSION 1st version for girls' choir a cappella and piano
MADCHENPROZESSION 2nd version for girls' choir, piano / choir /
modern orchestra, sound scenes
CD 39

Stockhausen conducts Haydn and Mozart (2 CDs)
Haydn – Trumpet Concerto with cadenzas by Stockhausen (Markus Stockhausen)
Mozart – Flute Concerto in G with cadenzas by Stockhausen (Kathinka Pasveer)
Mozart – Clarinet Concerto with cadenzas by Stockhausen (Suzanne Stephens)
CD 40

DIENSTAG aus LICHT / TUESDAY from LIGHT Opera (2 CDs)
Edition with booklet in English (200 pages)
Edition with booklet in German (200 pages)
CD 41

OKTOPHONIE / OCTOPHONY Electronic Music of TUESDAY from LIGHT
CD 42

SYNTHI-FOU (or PIANO PIECE XV) for a synthesizer player and electronic music
DIENSTAGS-ABSCHIED (TUESDAY FAREWELL) for a synthesizer player, choir and electronic music
Sounds of SYNTHI-FOU with Simon Stockhausen (2 CDs)
CD 43

Music for trumpet, piccolo trumpet, flugelhorn with Markus Stockhausen (2 CDs)
EINGANG und FORMEL / ENTRANCE and FORMULA for trumpet
EXAMEN / EXAMINATION for tenor, trumpet, basset-horn, piano, soprano, bass, 2 speaker-mimes
DRACHENKAMPF / DRAGON FIGHT for trumpet, trombone, percussion and a synthesizer player
OBERLIPPENTANZ / UPPER-LIP-DANCE for piccolo trumpet
PIETÀ-Solo for flugelhorn and electronic music
PIETÀ-Duo for flugelhorn, soprano and electronic music
CD 44

Music for trombone and euphonium with Michael Svoboda:
IN FREUNDSCHAFT (IN FRIENDSHIP) for trombone
SIGNALE zur INVASION / SIGNALS to INVASION for trombone and electronic music
KINNTANZ / CHIN-DANCE for euphonium, percussionist, synthesizer player
CD 45

SOLO for a melody instrument with feedback: Version for flute (Dietmar Wiesner) –
SOLO Version for synthesizer (Simon Stockhausen) –
SPIRAL for a soloist : Version for oboe (Cathy Milliken)
CD 46

SPIRAL for a soloist with short-wave receiver: integral version with Michael Vetter (2 CDs)
CD 47

HYMNEN / ANTHEMS (Third Region) Electronic Music with orchestra
CD 48

PAARE vom FREITAG / COUPLES of FRIDAY with soprano, bass, electronic instruments
CD 49

ELECTRONIC MUSIC with SOUND SCENES of FRIDAY from LIGHT (2 CDs)
CD 50

FREITAG aus LICHT / FRIDAY from LIGHT Opera (4 CDs)
CD 51

WELT-PARLAMENT / WORLD PARLIAMENT for choir a cappella
(1st scene of WEDNESDAY from LIGHT)
CD 52

ORCHESTER-FINALISTEN / ORCHESTRA FINALISTS for orchestra and electronic music
(2nd scene of WEDNESDAY from LIGHT)
CD 53

HELIKOPTER-STREICHQUARTETT / HELICOPTER STRING QUARTET
(3rd scene of WEDNESDAY from LIGHT) world première and studio recording (Arditti-Quartett) (2 CDs)
Stockhausen moderates the world première in English.
CD 54

MICHAELION (4th scene of WEDNESDAY from LIGHT)
for choir / bass with short-wave receiver / flute, basset-horn, trumpet, trombone /
a synthesizer player, tape / 2 dancers / sound projectionist
CD 55

BASSETSU-TRIO for basset-horn, trumpet and trombone of WEDNESDAY from LIGHT
MITTWOCHS-ABSCHIED / WEDNESDAY FAREWELL Electronic and Concrete Music
CD 56

PIANO PIECES I–XIV with Ellen Corver (3 CDs)
Stockhausen explains the sound playback in English and German.
CD 57

Music for flute and synthesizer with Kathinka Pasveer and Antonio Pérez Abellán
ZUNGENSPITZENTANZ / TIP-OF-THE-TONGUE-DANCE for piccolo flute, euphonium,
synthesizer player and percussionist
PIANO PIECE XVI for tape, stringed piano, electronic keyboard instruments
FREIA for flute
KOMET / COMET as PIANO PIECE XVII for electronic keyboard, tape and sound projectionist
ENTFÜHRUNG / ABDUCTION for piccolo flute
FLÖTE / FLUTE for flute and electronic music
THINKI for flute
CD 58

LICHTER – WASSER (SONNTAGS-GRUSS) / LIGHTS – WATERS (SUNDAY GREETING)
( 1st scene of SUNDAY from LIGHT) for soprano, tenor, orchestra with synthesizer
CD 59

RECHTER AUGENBRAUENTANZ / RIGHT-EYEBROW-DANCE
for clarinets, bass clarinets, percussionist, synthesizer player
CAPRICORN for bass and electronic music (Nicholas Isherwood)
CD 60

ARIES for trumpet and electronic music
IN FREUNDSCHAFT for trumpet
HALT for trumpet and double-bass
PIETÀ for flugelhorn and soprano
CD 61

LITANEI 97 / LITANY 97 for choir and conductor (Stockhausen speaks an introduction in German)
KURZWELLEN / SHORT-WAVES for 6 players (world première Radio Bremen, 1968)
CD 62

3x REFRAIN 2000 (German)
for piano with 3 wood blocks, sampler-celesta with 3 antique cymbals,
vibraphone with 3 cowbells and glockenspiel, sound projectionist.
(Stockhausen speaks an introduction in German.)
CD 62

3x REFRAIN 2000 (English)
for piano with 3 wood blocks, sampler-celesta with 3 antique cymbals,
vibraphone with 3 cowbells and glockenspiel, sound projectionist.
(Stockhausen speaks an introduction in English.)
CD 63

LUZIFERs ZORN / LUCIFER'S FURY for bass, actor, a synthesizer player, tape
DIE 7 LIEDER DER TAGE / THE 7 SONGS OF THE DAYS for voice and synthesizer
DIE 7 LIEDER DER TAGE / THE 7 SONGS OF THE DAYS for flute and synthesizer
DER KINDERFÄNGER / THE PIED PIPER for alto flute with piccolo,
2 synthesizer players, a percussionist, tape and sound projectionist
CD 64

EUROPA-GRUSS / EUROPE GREETING for winds and synthesizers
STOP and START for 6 instrumental groups
TWO COUPLES Electronic and Concrete Music
Electronic and Concrete Music for KOMET / COMET
LICHT-RUF / CALL from LIGHT for trumpet, basset-horn, trombone (as interval signal)
CD 65

10 Scenes of FRIDAY from LIGHT (2 CDs)
CD 66

MITTWOCHS-GRUSS / WEDNESDAY GREETING Electronic Music of WEDNESDAY from LIGHT
CD 67

ENGEL-PROZESSIONEN / ANGEL PROCESSIONS (2nd scene of SUNDAY from LIGHT)
for choir a cappella
Pianissimo TUTTI-Chor / TUTTI choir of ANGEL PROCESSIONS (2 CDs)
CD 68

LICHT-BILDER / LICHT PICTURES (3rd scene of SUNDAY from LIGHT)
for tenor, trumpet with ringmodulation, basset-horn, flute with ring modulation, synthesizer (2 CDs)
CD 69

DÜFTE – ZEICHEN / SCENTS – SIGNS (4th scene of SUNDAY from LIGHT)
for 7 vocalists, boy’s voice, synthesizer
CD 70

9 SCENTS OF THE WEEK (from SCENTS – SIGNS) for 7 vocalists, boy's voice, synthesizer
CD 71

HOCH-ZEITEN / HIGH-TIMES for choir (3 CDs: 5 individual groups and the tutti choir for study purposes)
CD 72

HOCH-ZEITEN / HIGH-TIMES for orchestra (3 CDs: 5 individual groups and the tutti orchestra for study purposes)
CD 73

HOCH-ZEITEN / HIGH-TIMES for orchestra and choir
(5th scene of SUNDAY from LIGHT)
CD 74

SONNTAGS-ABSCHIED / SUNDAY FAREWELL Electronic Music (5 synthesizers)
5 simultaneous click-tracks for SUNDAY FAREWELL
CD 75

STRAHLEN / RAYS for a percussionist and 10-track recording
CD 76

Electronic Music of SIRIUS in 4 versions (8 CDs: SPRING Version, SUMMER Version, AUTUMN Version, WINTER Version)
CD 77

TIERKREIS / ZODIAC Version 2003 for tenor and synthesizer
DIE 7 LIEDER DER TAGE / THE 7 SONGS OF THE DAYS for tenor and synthesizer
VISION for tenor, trumpet, synthesizer and tape
CD 78

Music for saxophone with Julien Petit
AMOUR for saxophone – SAXOPHONE for saxophone and bongo
PICCOLO for saxophone with geisha bell – IN FRIENDSHIP for saxophone
KNABENDUETT / BOYS' DUET for two soprano saxophones
ENTFÜHRUNG / ABDUCTION for saxophone, electronic and concrete music
CD 79

VIBRA-ELUFA for vibraphone
KOMET / COMET Version for a percussionist, electronic and concrete music, sound projectionist
(Andreas Boettger)
NASENFLÜGELTANZ / WINGS-OF-THE-NOSE-DANCE for a percussionist and a synthesizer player
KLAVIERSTÜCK XVIII (MITTWOCH-FORMEL) / PIANO PIECE XVIII (WEDNESDAY FORMULA)
for electronic piano
MITTWOCH-FORMEL / WEDNESDAY FORMULA with 3 percussionists (METAL – WOOD – SKIN)
CD 80

MOMENTE / MOMENTS for solo soprano, 4 choir groups and 13 instrumentalists (2 CDs)
Version 1998 (conductor: Rupert Huber)
CD 81

PUNKTE / POINTS for orchestra (recording 2004, conductor: Péter Eötvös)
Introduction by Stockhausen to PUNKTE (in German and English)
CD 82

MICHAELS-RUF / MICHAEL'S CALL Version for 4 trumpets
BASSETSU for basset-horn
SYNTHI-FOU (PIANO PIECE XV) for a player of electronic keyboard instruments
(Antonio Pérez Abellán) and electronic music
QUITT for alto flute, clarinet and piccolo trumpet
KOMET Version for a percussionist with electronic and concrete music (Stuart Gerber)
for 4 trumpeters

CD 83

HIMMELFAHRT / ASCENSION Version for synthesizer, soprano and tenor
First Hour from KLANG
Timbres of the synthesizer player (Antonio Pérez Abellán)
CD 84

FREUDE / JOY for 2 harps (Marianne Smit, Esther Kooi)
Second Hour from KLANG
CD 85

NATÜRLICHE DAUERN / NATURAL DURATIONS for piano (2 CDs)
Third Hour from KLANG
(Frank Gutschmidt, Benjamin Kobler, Antonio Pérez Abellán)
CD 86

HIMMELS-TÜR / HEAVEN'S DOOR for a percussionist and a little girl
Fourth Hour from KLANG
24 TÜRIN für Tür, Rin und Sprecher (German) – 24 TÜRIN for door, rin and speaker (English)
(percussionist: Stuart Gerber, speaker: K. Stockhausen)
CD 87

HARMONIEN / HARMONIES for bass clarinet – HARMONIES for flute – HARMONIES for trumpet
Fifth Hour from KLANG
SCHÖNHEIT / BEAUTY for bass clarinet, flute and trumpet – Sixt Hour from KLANG
CD 88

BALANCE for bass clarinet, English horn, flute – Seventh Hour from KLANG
GLÜCK for bassoon, English horn, oboe – Eighth Hour from KLANG
CD 89

HOFFNUNG / HOPE for violoncello, viola, violin – Ninth Hour from KLANG
GLANZ / BRILLIANCE for bassoon, viola, clarinet, oboe, trumpet, trombone, tuba –
Tenth Hour from KLANG
CD 90

TREUE / FIDELETY for bass clarinet, basset-horn, clarinet – Eleventh Hour from KLANG
ERWACHEN / AWAKENING for violoncello, trumpet, soprano saxophone – Twelfth Hour from KLANG
CD 91

COSMIC PULSES Electronic Music – Thirteenth Hour from KLANG
CD 92

HAVONA Electronic Music – HAVONA for bass and electronic music
Fourteenth Hour from KLANG
CD 93

ORVONTON Electronic Music – ORVONTON for baritone and electronic music
Fünfteenth Hour from KLANG
CD 94

UVERSA Electronic Music – UVERSA for basset-horn and electronic music
Sixteenth Hour from KLANG
CD 95

NEBADON Electronic Music – NEBADON for horn and electronic music
Seventeenth Hour from KLANG
CD 96

JERUSEM Electronic Music – JERUSEM for tenor and electronic music
Eighteenth Hour from KLANG
CD 97

URANTIA Electronic Music – URANTIA for soprano and electronic music
Nineteenth Hour from KLANG
CD 98

EDENTIA Electronic Music – EDENTIA for soprano saxophone and electronic music
Twentieth Hour from KLANG
CD 99

PARADIES (PARADISE) Electronic Music – PARADIES for flute and electronic music
Twenty-First Hour from KLANG
CD 100

JUBILÄUM for orchestra
TIERKREIS for orchestra
TIERKREIS for the carillon of the Cologne Town Hall
CD 101

IN FREUNDSCHAFT (IN FRIENDSHIP) for recorder
IN FREUNDSCHAFT (IN FRIENDSHIP) for bassoon
IN FREUNDSCHAFT (IN FRIENDSHIP) for horn
IN FREUNDSCHAFT (IN FRIENDSHIP) for double bass
CD 102

IN FREUNDSCHAFT (IN FRIENDSHIP) for violin
IN FREUNDSCHAFT (IN FRIENDSHIP) for bass clarinet
IN FREUNDSCHAFT (IN FRIENDSHIP) for viola
IN FREUNDSCHAFT (IN FRIENDSHIP) for tuba
IN FREUNDSCHAFT (IN FRIENDSHIP) for violoncello
CD 103

POLE (POLES) for 2: integral version Michael Vetter and Natascha Nikeprelevic
CD 104

EXPO for 3: integral version with Michael Vetter, Natascha Nikeprelevic and F.X.Randomiz
CD 105

IN FREUNDSCHAFT (IN FRIENDSHIP) for oboe
LINKER AUGENTANZ (LEFT-EYE-DANCE) for saxophones, a percussionist, a synthesizer player
TAURUS for bassoon
TAURUS-QUINTETT (TAURUS-QUINTET) for tuba, trumpet, bassoon, horn, trombone
KAMEL-TANZ (CAMEL-DANCE) for bass, trombone, synthesizer
ROTARY-Bläserquintett (ROTARY Woodwind) Quintet
CD 106

MIXTUR 2003 for orchestra
(5 instrumental groups, 4 sine-wave generator players, 4 sound mixers with 4 ring modulators,
sound projectionist) Forward Version – Backward Version

WEDNESDAY from LIGHT consists of CD 66, CD 51, CD 52, CD 53, CD 54, CD 55
SUNDAY from LIGHT consists of CD 58, CD 67, CD 68, CD 69, CD 73, CD 74

Special Edition

In January 2007 the Stockhausen-Verlag released the first Text-CD of a new series: lectures which Stockhausen has given since 1952. The edition is limited to 300 copies per release. He spoke these lectures in German. Most of them are supplemented with musical examples. English translations of the texts may be ordered from the Stockhausen-Verlag.

Text CD 1   1 Orientierung / Orientation 1952–53, Lecture [47'33]
    2 Elektronische Musik / Electronic Music 1953, Lecture [31'27]
Text CD 2   1 Punktuelle Musik / Point Music, Lecture 1952 [38'51]
    2 Gruppen-Komposition / Group Composition 1952 , Lecture 1955 [35'09]
Text CD 3   1 Klangkomposition / Klang (Sound) Composition 1953, Lecture [77'00]
Text CD 4   1 Statistische Form (von Webern zu Debussy) /
Statistical Form (from Webern to Debussy), Lecture 1954		 [38'00]
    2 ZEITMASZE (1955 / 56), Lecture [34'00]
Text CD 5   1 GESANG DER JÜNGLINGE 1955, Lecture [32'00]
    2 Musik und Sprache / Music and Speech, Lecture 1957 [43'00]
Text CD 6   1 Elektronische und instrumentale Musik
Electronic and Instrumental Music 1958, Lecture		 [73'00]
Text CD 7 2 CDs 1 MUSIK im RAUM / MUSIC in SPACE 1958, Lecture [78'30]
[78’30]
Text CD 8 2 CDs 1 MUSIK und GRAPHIK / MUSIC and GRAPHICS 1959, Lecture [64'00]
[63’00]
Text CD 9 2 CDs 1 MOMENTFORM (Unendliche Form) /
MOMENT FORM (Unending Form), Lecture 1960		 [45'00]
[45’00]
Text CD 10   1 ERfindung und ENTdeckung /
Invention and Discovery, Lecture 1961		 [50'05]
Text CD 11   1 Einheit der musikalischen Zeit /
Unity of Musical Time, Lecture 1961		 [78'30]
Text CD 12 2 CDs 1 Kadenzrhythmik im Werk Mozarts /
Cadential rhythm in the works of Mozart, Lecture 1961		 [43'00]
Text CD 13 2 CDs 1 Vier Kriterien der Elektronischen Musik /
Four Criteria of Electronic Music, Lecture 1963		 [78'30]
[37’00]
Text CD 14   1 MIKROPHONIE I / MICROPHONY I, Lecture 1964 [64'00]
    2 MICROPHONIE I / MICROPHONY II, Lecture 1965
Text CD 15   1 Elektronische Musik und Automatik /
Electronic Music and Automatic, Lecture 1965		 [73'00]
Text CD 16   1 TELEMUSIK / TELEMUSIC, Lecture 1966 [78'30]
Text CD 17 2 CDs 1 HYMNEN / ANTHEMS, Lecture 1967 [78'30]
[50’00]
Text CD 18   1 Live-Electronic Music, Lecture 1968 [55'00]
Text CD 19   1 MOMENTE / MOMENTS, Lecture 1963 [22'12]
    2 1st Interview 1972 [09'28]
    3 2nd Interview 1972 [15'38]
Text CD 20   1 Brief an Heinrich / Letter to Heinrich, Lecture 1969 [72'00]
    2 SETZ DIE SEGEL ZUR SONNE / SET SAIL FOR THE SUN  
    3 2 Interviews 1970  
Text CD 21   1 World Fair Expo '70 in Osaka:
2 Interviews 1970		 [72'00]
    2 KURZWELLEN / SHORT WAVES at the spherical auditorium in Osaka.  
Text CD 22   1 "...Ich werde die Töne" / "...I become the tones", Interview 1971 [72'00]
    2 ZUGVOGEL / BIRD OF PASSAGE for Ensemble from FOR TIMES TO COME (1970)  
    3 "7 Tage Elektronische Musik" / "7 Days of Electronic Music", Interview 1972  
Text CD 23 3 CDs 1 Zu Beethovens späte Streichquartette, Interview 1977
On Beethoven's Late String Quartets		 [55'40]
[49'00]
    2 Opus 1970: Stockhoven – Beethausen
KURZWELLEN mit Beethoven / SHORT WAVES with Beethoven		 [55'30]
Text CD 24 3 CDs 1 Zuhören ist eine Kunst / Listening is an Art
Interview 1961		 [73'30]
[78'40]
    2 Die Kunst, zu hören / The Art, to Listen – Lecture 1988 [72'45]

Books

Jonathan Cott: STOCKHAUSEN. Conversations with the Composer
(Paperback, 240 pages, in English, Pan Books Ltd., London, 1974)

Hermann Conen: Formel-Komposition – Zu Karlheinz Stockhausens Musik der siebziger Jahre
(280 bound pages in German, hard cover in colour, 129 illustrations, Stockhausen Foundation for Music, 2009)

Michael Kurtz: Stockhausen, Eine Biographie (in Ger man, Bärenreiter, Kas sel, 1988)

Dettloff Schwerdtfeger: Karlheinz Stockhausens Oper DONNERSTAG aus LICHT –
Ziel und Anfang einer kompositorischen Entwicklung
(80 bound pages, in German, 16 illustrations, Stockhausen Foundation for Music, 2000)

Günter Peters: Heiliger Ernst im Spiel – Texte zur Musik von Karlheinz Stockhausen
Holy Seriousness in the Play – Essays on the Music of Karlheinz Stockhausen
(308 bound pages, in German and English, hard cover, 66 illustrations, Stockhausen Foundation for Music, 2003)

Richard Toop: SONNTAGS-ABSCHIED (SUNDAY FAREWELL) – A Report
(22 pages in English with numerous musical examples and 2 colour photographs)

Richard Toop: Six Lectures from the Stockhausen Courses Kürten 2002
(216 pages in English with numerous musical examples, sketches in colour, hard cover in colour,
Stockhausen Foundation for Music, 2005)

Thomas Ulrich: Stockhausen. A Theological Interpretation
(152 pages in English, Stockhausen Foundation for Music, 2012)

Karlheinz Stockhausen: Ein Schlüssel für MOMENTE (A Key to MOMENTE )
        The first 14 sketches and 13 second sketches of MOMENTE, together with a foreword, were published in a limited
        edition of 250 copies in June 1971, by Edition Boczkowski, Kassel, Germany. The remaining copies of this book of
        4-colour prints may be purchased from the Stockhausen-Verlag.

Karlheinz Stockhausen: TEXTE zur MUSIK / TEXTS about MUSIC 1963–1984 (formerly DuMont-Buchverlag, Köln, since 1998 published by the Stockhausen-Verlag, Kürten)

  •         Vol. 1: Texts on electronic and instrumental music;
  •         Vol. 2: Texts on my own works and about the art of others, current topics;
  •         Vol. 3: Texts on Music 1963–1970;
  •         Vol. 4: Texts on Music 1970–1977;
  •         Vol. 5 / Vol. 6: Texts about Music 1977–1984.

TEXTE zur MUSIK 1984–1991 Volumes 7 to 10 (Stockhausen-Verlag, Kürten, in German):

  •         Vol. 7: New information about works before LIGHT –
                        About LIGHT until MONDAY from LIGHT – MONDAY from LIGHT;
  •         Vol. 8: TUESDAY from LIGHT – Elec tron ic Music;
  •         Vol. 9: On LIGHT – Composer and Interpreter – Turn of Time;
  •         Vol. 10: Astronic Music – Echos of Echos.

TEXTE zur MUSIK 1991–1998 Vol. 11 to 14 (Stockhausen-Verlag, Kürten, in German):

  •         Vol. 11: Nachsätze: Zu KREUZSPIEL (1951) bis LIBRA (1977) – Werktreue –
                          Ergänzendes zu LICHT
  •         Vol. 12: FREITAG aus LICHT – Neue Konzertpraxis
  •         Vol. 13: MITTWOCH aus LICHT – Elektronische Musik
  •         Vol. 14: Über Musik, Kunst, Gott und die Welt – Blickwinkel –
                          Komponistenalltag

TEXTE zur MUSIK 1998–2007 Vol. 15 to 17 (Stockhausen Foundation for Music, 2014, mainly in German):

  •         Vol. 15: SONNTAG aus LICHT– Neue Einzelwerke – Stockhausen-Kurse Kürten
  •         Vol. 16: LICHT-Reflexe – Seitenzweige – Klangproduktion / Klangprojektion
  •         Vol. 17: KLANG-Zyklus – Geist und Musik – Ausblicke

Karlheinz Stockhausen: JAHRESKREIS / CIRCLE OF THE YEAR – Perpetual calendar with Stockhausen quotes and illustrations
(740 bound pages in German and English, hard cover, 365 illustrations in colour, Stockhausen Foundation for Music, 2012)

Karlheinz Stockhausen bei den Internationalen Ferienkursen für Neue Musik in Darmstadt 1951–1996 /
Karlheinz Stockhausen at the International Vacation Courses for New Music in Darmstadt 1951–1996 documents and letters
(646 bound pages, in Ger man, 105 black-and-white photographs, hard cover, Stockhausen Foundation for Music, 2001)

Karlheinz Stockhausen: Kompositorische Grundlagen Neuer Musik.
Sechs Seminare für die Darmstädter Ferienkurse 1970
(304 bound pages in German, hard cover, 91 illustrations, sketches in colour, Stockhausen Foundation for Music, 2009)

Gedenkschrift für Stockhausen
(246 bound pages with texts in German, English, French, Dutch, Italian,
hard cover in colour, many illustrations, Stockhausen Foundation for Music, 2008)

Karlheinz Stockhausen: GESANG DER JÜNGLINGE Facsimile Edition 2001
(special edition of all the sketches in colour, 308 bound pages, hard cover)

Karlheinz Stockhausen: The Art, to Listen – A musical analysis of the composition IN FRIENDSHIP (in English)
(24 pages in English with numerous musical examples)

Karlheinz Stockhausen: The Art, to Listen – A Musical Analysis of the Composition IN FRIENDSHIP
(24 Seiten in Englisch mit vielen Notenbeispielen)

Karlheinz Stockhausen: Introduction to MANTRA (in English)
(16 pages in English with numerous musical examples and a postcard with the MANTRA formula in colour)

The following booklets with work analyses and programme texts were written by Stockhausen during the Stockhausen Courses Kuerten since 1998:

Special facsimile edition printed for the composition seminar of the Stockhausen Courses Kuerten 1998 with 23 major sketches and complete manuscript of ORCHESTER-FINALISTEN (ORCHESTRA FINALISTS), 2nd scene of WEDNESDAY from LIGHT for orchestra and electronic music, sound projectionist;

Special facsimile edition printed for the composition seminar of the Stockhausen Courses Kuerten 1999 with 22 major sketches and explanations of WELT-PARLAMENT (WORLD PARLIAMENT) for choir a cappella, 1st scene of WEDNESDAY from LIGHT;

Special facsimile edition printed for the composition seminar of the Stockhauen Courses Kuerten 2000 with sketches and explanations of SIRIUS;

Special facsimile edition printed for the composition seminar of the Stockhausen Courses Kuerten 2001 with sketches and explanations of LICHTER – WASSER (LIGHTS – WATERS), 1st scene of SUNDAY from LIGHT;

Special facsimile edition printed for the composition seminar of the Stockhausen Courses Kuerten 2002 with sketches and explanations of DER KINDERFÄNGER (THE PIED PIPER);

Special facsimile edition printed for the composition seminar of the Stockhausen Courses Kuerten 2003 with sketches and explanations of HOCH-ZEITEN (HIGH-TIMES) for choir, 5th scene of SUNDAY from LIGHT);

Special facsimile edition published for the composition seminar of the Stockhausen Courses Kuerten 2004 with sketches in colour and explanations of DÜFTE – ZEICHEN (SCENTS – SIGNS) for 7 vocalists, boy's voice, synthesizer, 4th scene of SUNDAY from LIGHT);

Special facsimile edition published for the composition seminar of the Stockhausen Courses Kuerten 2005 with sketch (LICHT-BILDER (LIGHT PICTURES) for basset-horn, flute with ring modulation, tenor, trumpet with ring modulation, synthesizer / sound projectionist, 3rd scene of SUNDAY from LIGHT);

Special facsimile edition published for the composition seminar of the Stockhausen Courses Kuerten 2006 with sketches in colour and explanations of KLANG (SOUND), First Hour: HIMMELFAHRT (ASCENSION) for organ or synthesizer, soprano and tenor ;

Special facsimile edition published for the composition seminar of the Stockhausen Courses Kuerten 2007 with sketches in colour and explanations of KLANG (SOUND), Second Hour: FREUDE (JOY) for 2 harps;

Programme book of the Stockhausen Courses Kuerten 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2013.

Karlheinz Stockhausen: Libretti of the operas

  •         DONNERSTAG aus LICHT / THURSDAY from LIGHT (La Scala Milan 1981,
            Royal Opera London 1985);
  •         SAMSTAG aus LICHT / SATURDAY from LIGHT (La Scala Milan 1984);
  •         MONTAG aus LICHT / MONDAY from LIGHT (La Scala Milan 1988);
  •         DIENSTAG aus LICHT / TUESDAY from LIGHT (Leipzig Opera 1993);
  •         FREITAG aus LICHT / FRIDAY from LIGHT (Leipzig Opera 1996).
  •         SONNTAG aus LICHT / SUNDAY from LIGHT (Cologne Opera 2011);
  •         MITTWOCH aus LICHT / WEDNESDAY from LIGHT (Birmingham Opera 2012).

The following books may either be ordered directly from the publishing companies listed below or purchased in bookstores (if there is difficulty obtaining these books please notify the Stockhausen-Verlag):

Peter Beyer Regelwerk und Theorie serieller Musik in Karlheinz Stockhausens GRUPPEN für 3 Orchester (in German, Hans Schneider, Tutzing, 2001);
Christoph von Blumröder: Die Grundlegung der Musik Karlheinz Stockhausens (in German, Franz Steiner Verlag, Stuttgart, 1993);
Contrechamps: Karlheinz Stockhausen (Revue semestrielle) (in French, Editions L'age d'homme, Paris, 1988);
Paul Dirmeikis: Le Souffle du Temps – Quodlibet pour Karlheinz Stockhausen (in French, Editions Teolo Martius, 1999);
Rudolf Frisius: STOCKHAUSEN – Einführung in das Gesamtwerk / Gespräche (in German, Schott, Mainz, 1996);
Jonathan Harvey: The Music of Stockhausen (in English, Faber & Faber, London, 1975);
Winrich Hopp: Kurzwellen von Karlheinz Stochausen – Konzeption und musikalische Poiesis (in German, Schott, Mainz, 1998);
José Manuel López: Karlheinz Stockhausen (in Spanish, Circulo de Bellas Artes, Madrid, 1990);
Robin Maconie: The Works of Karlheinz Stockhausen (in English, Oxford University Press, Oxford, 1990);
Imke Misch: Zur Kompositionstechnik Karlheinz Stockhausens: GRUPPEN für 3 Orchester (1955–1957) (in German, Pfau-Verlag, Saarbrücken, 1999);
Hans-Jürgen Nagel: Stockhausen in Calcutta (in English, Seagull Books, Calcutta, 1984);
Michel Rigoni: Stockhausen – ...un vaisseau lancé vers le ciel (in French, Millénaire III Editions, 1998);
Signale aus Köln Bd. 1: Stockhausen 70 – Das Programmbuch Köln 1998 (in German, Pfau-Verlag, Saarbrücken, 1998);
Signale aus Köln Bd. 3: Komposition und Musikwissenschaft im Dialog I (1997–1998) (in German, Pfau-Verlag, Saarbrücken, 2000);
Signale aus Köln Bd. 4: Internationales Stockhausen-Symposion 1998 (in German, Pfau-Verlag, Saarbrücken, 1999);
Signale aus Köln Bd. 10: Internationales Stockhausen-Symposion 2000 (in German, Lit-Verlag, Münster, 2004);
Karlheinz Stockhausen: Stockhausen on Music – Lectures and Interviews compiled by Robin Maconie (in English, Marion Boyars Publishers Ltd., London und New York, 1989);
Karlheinz Stockhausen: Towards a Cosmic Music (in English, Element Books, Longmead, Shaftesbury, Dorset, 1989);
Mya Tannenbaum: Stockhausen, Intervista sul genio musicale (in Italian, Laterza & Figli, Bari, 1985).
Markus Wirtz: Licht – Die szenische Musik von Karlheinz Stockhausen. Eine Einführung (in German, Pfau-Verlag, Saarbrücken, 2000);
Karl H. Wörner: Karlheinz Stockhausen, Werk + Wollen (in German, Musikverlag P. J. Tonger, Rodenkirchen, 1963; English edition [translated by Bill Hopkins], Faber + Faber, London, 1973).

ZODIAC Music Boxes

12 melodies of the star signs

In 1974, Stockhausen composed the 12 melodies of the star signs for music boxes and produced them in collaboration with technicians at the Reuge music box factory in Ste. Croix, Switzerland. In 1989 the Reuge family sold the company, and the production of these music boxes was discontinued.

After extended negotiations on the part of Suzanne Stephens, and on the occasion of the composer's 70th birth day, an agreement was reached for the one-time manufacture of a limited edition. Each of these music boxes were checked by Suzanne Stephens and Antonio Pérez Abellán on location at the factory and adjusted there before they were shipped to Kürten.

This 70th Birth day Edition is limited to 40 music boxes for each star sign, num bered 1 to 40. They may be ordered directly from the Stockhausen-Verlag.

The melodies are encased in light- coloured natural wood boxes measuring 17.7 x 12.1 cm. The notes of the ZODIAC melody – hand-written and signed by the composer - are silk-screened onto the lid of each music box.

    Month
1 BEARER OF WATER / AQUARIUS 21. Januar–19. Februar
2 FISH / PISCES February 20th–March 20th
3 RAM / ARIES March 21st–April 21st
4 BULL / TAURUS April 21st–May 21st
5 TWINS / GEMINI Mai 21st–June 21st
6 CRAB / CANCER June 22nd–July 23rd
7 LION / LEO July 23rd–August 22nd
8 VIRGIN / VIRGO August 23rd–September 23rd
9 BALANCE / LIBRA September 23rd–October 22nd
10 SCORPION / SCORPIO October 23rd–November 21st
11 ARCHER / SAGITTARIUS November 22nd–December 21st
12 SEA GOAT / CAPRICORN December 21st–January 20th
TIRKREIS.jpg
ZODIAC Music Boxes
12 melodies of the star signs
English (PDF)

"My life is extremely one-sided: what counts are the works as scores, recordings, films, and books. That is my spirit formed into music and a sonic universe of moments of my soul." / (K. Stockhausen September 25th 2007)

Selection of films on the works 1

Abbreviations and the addresses of the film producers are listed on page 67.

1 This is a list of several recommended films. A comprehensive list of films (made until 1998) about Stockhausen's work is printed in TEXTS about MUSIC Volume 10 (pp. 821–843). The addresses of the producers or distributors are listed at the end.
Copies of most of the films are in the archives of the Stockhausen Foundation for Music.
          duration of film,
producer, archive number
1. 1965 MOMENTE (Gérard Patris)
(M. Arroyo, K. Stockhausen,WDR-Chor, Musique Vivante, Aloys and Alfons Kontarsky)
English          16 mm and BetaSP
French
German
     45'51"
INA / WDR 4456-1
black-and-white
2. 1966 MIKROPHONIE I (Sylvain Dhomme)
(Alfred Alings, Harald Bojé, Johannes Fritsch, Aloys Kontarsky, Hugh Davies, Stockhausen))
French          35 mm,16 mm and BetaSP 		    27'12"
INA / WDR 4380
Colour
3. 1969 Stockhausen in den Höhlen von Jeita (Anne-Marie Deshayes)
(Stockhausen in the caves of Jeita)
(HYMNEN, KURZWELLEN, SPIRAL, STIMMUNG)
English          35 mm, 16 mm and U-Matic
French
German 		    45' und 57'
MIDEM - Colour
4. 1969 WORKSHOP: the same trade as Mozart
(Interview on Electronic Music. Performance of BBC Archive – black-and-white intuitive music AUS DEN SIEBEN TAGEN)
English          16 mm 		    55'
BBC Archive – black-and-white
5. 1970 STOCKHOVEN-BEETHAUSEN OPUS 1970 (Hans G. Helms)
(KURZWELLEN with Beethoven)
German          16 mm and U-Matic 		    49'16"
WDR 8474 (8483) - black-and-white
6. 1971 Ich werde die Töne - die Weltschau des Karlheinz Stockhausen
(I become the tones – the world-view of Karlheinz Stockhausen)
German          16 mm and U-Matic 		    30'44"
WDR 9181 - black-and-white
7. 1971 Musical Forming (Lecture I) (Allied Artists, Robert Slotover)
english          16 mm and U-Matic 		    135'
AA - Colour and black-and-white
8. 1971 MIKROPHONIE I (Lecture II)
English          16 mm and U-Matic 		    58'
AA – Colour and black-and-white
9. 1971 Moment-Forming and Integration
(Lecture III)
(MOMENTE)
English          16 mm and U-Matic 		    99'
AA - Colour and black-and-white
10. 1971 Intuitive Music (Lecture IV)
English          16 mm and U-Matic 		    60'
AA – Colour and black-and-white
11. 1971 Questions and Answers on Intuitive Music
(KONTAKTE)
English          16 mm and U-Matic 		    35'
AA – Colour and black-and-white
12. 1971 Four Criteria of Electronic Music
(Lecture V)
(KONTAKTE)
englisch          16 mm and U-Matic 		    105'
AA - Colour and black-and-white
13. 1971 Questions and Answers on Four Criteria of Electronic Music
English          16 mm and U-Matic 		    40'
AA – Colour and black-and-white
14. 1971 TELEMUSIC (Lecture VI)
English          16 mm and U-Matic 		    60'
AA - Colour and black-and-white
15. 1971 MANTRA (Lecture VII)
englisch          16 mm und U-Matic 		    120'
AA – Farbe und schwarz /weiß
16. 1971 Questions and Answers on MANTRA
English          16 mm and U-Matic 		    60'
AA – Colour and black-and-white
17. 1971 MANTRA – Ein Probenbericht / A rehearsal reportage
(Aloys und Alfons Kontarsky)
German          MAZ 		    56'23"
SWR 0001112 / PN 0302007 – Colour
18. 1971 MANTRA
English, French, German, Spanish, Arabic          16 mm 		    56'23"
Inter Nationes – Colour
19. 1972 ALPHABET POUR LIÈGE
French          16 mm and U-Matic 		    42'
RTBF – Colour
20. 1973 TRANS...und so weiter (Gérard Patris)
(TRANS, MIKROPHONIE I, REFRAIN, HYMNEN, AM HIMMEL WANDRE ICH, CEYLON)
German          16 mm and BetaSP 		    58'43"
ZDF – Colour
21. 1973 FULL HOUSE: YLEM
(K. Stockhausen, London Sinfonietta)
English          U-Matic 		    60'
BBC – Colour
22. 1974 INORI
(K. Stockhausen, Sinfonieorchester des SWF, Elizabeth Clarke, Alain Louafi, Bernhard Wosien)
German          MAZ and U-Matic 		    70'
SWR 87 / PN 200 350 – Colour
23. 1974 INORI 2
German          MAZ and U-Matic 		    82'30"
ZDF – Colour
    2The same version as film no. 22, but supplemented with excerpts of VORTRAG ÜBER HU (LECTURE ON HU)..      
24. 1975 INORI (mit Einführungstext Stockhausens)
(K. Stockhausen, Sinfonieorchester der RAI Rom, Alain Louafi)
Italian          16 mm 		    ca. 75'
RAI – Colour
26. 1979 Introduction à la Musique Contemporaine No. 6:
Musique et Récit (Michel Fano)
(Stockhausen conducts the Ensemble Intercontemporain Paris with KREUZSPIEL and KONTRA-PUNKTE gives introductions to these works)
French          BetaSP 		    ca. 60'
INA – Colour
27. 1980 Omnibus: Tuning in with Stockhausen and the Sing Circle
(MOMENTE, MIKROPHONIE II, KONTAKTE, GESANG DER JÜNGLINGE, MANTRA, KURZWELLEN, HYMNEN, AUS DEN 7 TAGEN, STERNKLANG)
English          16 mm 		    ca. 50'
BBC – Colour
28. 1981 "Notenschlüssel": Stockhausen und seine Werke
("Clef": Stockhausen and his works)
(MANTRA, INORI, ALPHABET POUR LIÈGE, KONTAKTE)
German          MAZ and U-Matic 		    44'27"
SWR 0003564 – Colour
29. 1984 SAMSTAG aus LICHT:
Karlheinz Stockhausens zweiter Schöpfungstag
(Karlheinz Stockhausen's second day of creation)
German          U-Matic 		    29'45"
WDR - Colour
30. 1984 SAMSTAG aus LICHT: Das Menschheitstheater des Karlheinz Stockhausen:
Der zweite Tag
(Karlheinz Stockhausen’s theatre of humanity - The second day)
German          U-Matic 		    29'53"
WDR 0126 309 – Colour
31. 1984 Das Welttheater des Karlheinz Stockhausen
(SAMSTAG aus LICHT)
(The world theatre of Karlheinz Stockhausen – SATURDAY from LIGHT)
German          MAZ 		    60'42"
WDR 0127207 – Colour
32. 1984 HYMNEN mit Solisten und Orchester
Stockhausen dirigiert das Radio-Orchester Budapest (with interview)
Hungarian / German          U-Matic 		    ca. 125'
Magyar Televizio – Colour
33. 1985 KATHINKAs GESANG de Karlheinz Stockhausen
French          U-Matic 		    33'21"
I.R.C.A.M. – Colour
34. 1985 DONNERSTAG aus LICHT in Covent Garden
("Saturday Review" with Peter Heyworth)
English          16 mm 		    20'
BBC – Colour
35. 1987 Musikalische Visionen / Musical Visions
(Stockhausen talks with Mogens Andersen)
English          U-Matic 		    60'
DR – TV - Colour
36. 1988 Stockhausen – LICHTWERKE / LIGHT WORKS (Henning Lohner)
(MOMENTE, HYMNEN, STIMMUNG, and especially: MONTAG aus LICHT)
German          MAZ und U-Matic 		    ca. 55'
St. – Colour
37. 1988 Stockhausen in Mailand (Musikwerkstatt first part)
(MONTAG aus LICHT)
German          U-Matic 		    60'
ZDF – Colour
38. 1988 Wer Ohren hat zu hören, der höre! (He who has ears to hear, let him hear)
Hommage à K. Stockhausen on the occasion of his 60th birthday
(MONTAG aus LICHT)
German          U-Matic 		    60'
WDR 0155950 – Colour
39. 1990 Stockhausen in Straßburg
(GRUPPEN for 3 orchestras, Südwestfunk Symphony Orchestra)
German          U-Matic 		    35'55"
SWR 0022020 – Colour
40. 1990 MICHAELs REISE UM DIE ERDE Soloists' Version
Solisten-Version
German          U-Matic 		    30'
WDR 0184344 – Colour
41. 1990 EXAMEN vom DONNERSTAG aus LICHT (José Montes-Baquer)
(with introduction by Stockhausen)
German          U-Matic 		    36'57"
WDR 0188355 – Colour
42. 1994 Musikreport: Stockhausen MIKROPHONIE-Gong
(Robert Paiste in Kürten)
German          U-Matic 		    30'
SWR – Colour
43. 1995 HELIKOPTER-STREICHQUARTETT
(Frank Scheffer)
German /English          16 mm und BetaSP		     76'
Allegri Films – Colour
44. 1996 (Interview at the Studio for Electronic Music of the WDR
during the realisation of the electronic music of
FRIDAY from LIGHT)
English          BetaSP 		    60'
ABC – Colour
45. 1996 LICHT– Das Welttheater des Karlheinz Stockhausen
(The creation of FREITAG aus LICHT at the Leipzig Opera)
German          BetaSP 		    44'15"
WDR – Colour
46. 1998 INORI in Amsterdam
(Niederländisches Radio Kammerorchester conducted by Péter Eötvös, VARA – Colour sound projection and musical supervision: K. Stockhausen)
Dutch/German          BetaSP 		    90'
VARA – Colour
47. 1998 Grand entretien du Cercle de Minuit
(Stockhausen talks with Laure Adler im Cité de la Musique, Paris, where INORI with Ensemble Intercontemporain is performed.)
French          BetaSP 		    67'
Société National de Télévision – Colour
48. 1998 Metropolis – (Die Zeit TV, Sendung 8. 8. 1998)
(Interview with Felix Schmidt on the occasion of Stockhausen's 70th birthday in Stuttgart, where rehearsals of MICHAELION take place.)
German          BetaSP 		    ca. 30'
AVE – Colour
49. 1998 Stockhausen Courses Kuerten 1998
(All concerts and composition seminars)
English          Hi-8 		    ca. 75 Hours
St. – Colour
50. 1999 Stockhausen Courses Kuerten 1999
(All concerts and composition seminars)
English          Hi-8 		    ca. 75 Hours
St. – Colour
51. 2000 Music Masters: Karlheinz Stockhausen
(Stockhausen in rehearsals during the Stockhausen Kurse Kürten 2000
[SIRIUS, 3x REFRAIN 2000, FREIA];
at the studio for Electronic Music of the WDR in 1969 with rotation table for KONTAKTE; during the Cologne Courses for New Music, ca. 1969 giving a seminar on intuitive music)
English          BetaSP 		    60'
BBC – Colour
52. 1999 Stockhausen Courses Kuerten 2000
(All concerts and composition seminars)
English          Hi-8 		    ca. 75 Hours
St. – Colour
53. 2000 IN ABSENTIA
(Film by the Brothers Quay to the music TWO COUPLES by Stockhausen)
           BetaSP 		    21'
BBC – Colour
54. 2001 to 2007 Stockhausen Courses Kuerten 2001, 2002, 2003, 2004, 2005, 2006, 2007
(All concerts and composition seminars)
English          Hi-8 / DVCAM 		    ca. 525 Hours
St. – Colour
55. 2007 TECHSTUFF
(Interview with Stockhausen in Weissen Haus, Kürten, through its Electronic Music)
English          DVD 		    ca. 30'
Isbn Edizioni – Colour

Addresses of the film producers, in alphabetical order:

Allegri Films
Keizersgracht 169
1016 DP Amsterdam
Netherlands 		  Norddeutscher Rundfunk (NDR)
Fernseharchiv
Gazellenkamp 57
22504 Hamburg
Germany
Allied Artists (AA)
Attn.: Robert Slotover
42 Montpelier Square
London SW7
England 		  Oper Leipzig
Augustinusplatz 12
04109 Leipzig
Germany
Australian Broadcasting Corporation (ABC)
TV Arts and Entertainment
10–16 Selwyn Street
Elsternwich Victoria 318 S
Australia 		  Radio Televisione Italiano (RAI)
via del Babuino 9
00100 Rom
Italy
AVE Fernsehproduktion
Schützenstr. 18
10117 Berlin
Germany 		  Radio Télévision Belge Français Liège (RTBF)
Palais des Congrès
4020 Liège
Belgium
British Broadcasting Corporation (BBC)
Television Centre
Wood Lane
London W12 7 RJ
England 		  Société Nationale de Télévision France 2
41, Ave. de Wagram
75017 Paris
France
Anne-Marie Deshayes (MIDEM)
13, rue de Bellevue
75019 Paris
France 		  Stockhausen-Stiftung für Musik (St.)
Kettenberg 15
51515 Kürten
Germany
Institut National de l'Audiovisuel (INA)
4, Ave. de l'Europe
94366 Bry-sur-Marne
France 		  Werbung im Südwestrundfunk (SWR)
Produktionsverwertung
Pf 1115
76522 Baden-Baden
Germany
Inter Nationes
Kennedyallee 91-103
53175 Bonn
Germany 		  VARA Televisie
Post Bus 175
1200 AD Hilversum
Netherlands
Institut de Recherche et Coordination
Acoustique / Musique (I.R.C.A.M.)
Département de Communication
31, rue Ste. Merri
75004 Paris
France 		  Westdeutscher Rundfunk (WDR)
Fernsehen Musik
Appellhofplatz
50600 Köln
Germany
Isbn Edizioni
via Melzo 9
20129 Milano
Italy 		  Zweites Deutsches Fernsehen (ZDF)
Programmverwertung und -Übernahme
ZDF Straße 1
Pf 4040
55100 Mainz
Germany
Magyar Televizio
Bródy Sándor 5-7
1800 Budapest
Hungary		    
works for orchestra SHORT BIOGRAPHY